A Quote by Cassandra Clare
Desire is not always lessened by disgust. Nor can it be bestowed, like a favor, to those most deserving of it. And as my words bind my magic, so you can know the truth. If she doesn’t desire his kiss, she won’t be free.
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She couldn’t read his expression. As he started toward her, she recalled the way he’d seemed to glide through the sand the first time she’d ever seen him; she remembered their kiss on the boat dock the night of his sister’s wedding. And she heard again the words she’d said to him on the day they’d said good-bye. She was besieged by a storm of conflicting emotions—desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed?
She had an overwhelming desire to tell him, like the most banal of women. Don't let me go, hold me tight, make me your plaything, your slave, be strong! But they were words she could not say. The only thing she said when he released her from his embrace was, "You don't know how happy I am to be with you." That was the most her reserved nature allowed her to express.
Alas," said Aslan, shaking his head. "It will. Things always work according to their nature. She has won her heart's desire; she has unwearying strength and endless days like a goddess. But length of days with an evil heart is only length of misery and already she begins to know it. All get what they want; they do not always like it.
Frigidity is desire imagined by a woman who doesnt desire the man offering himself to her. Its the desire of a woman for a man who hasnt yet come to her, whom she doesnt yet know. Shes faithful to this stranger even before she belongs to him. Frigidity is the non-desire for whatever is not him.
Disgust with injustice may sharpen the desire for justice. Readers who don’t see this connection merely wish to be entertained, and I have neither skill nor desire to turn the agony of a people into entertainment.
She didn't have words for what Levi was. He was a cave painting. He was The Red Ballon. She lifted her heels and pulled him forward until his face was so close, she could look at only one of his eyes at a time. "You're magic," she said.
She looked at his young face, so full of concern and tenderness; and she remembered why she had run away from everyone else and sought solitude here. She yearned to kiss him, and she saw the answering longing in his eyes. Every fiber of her body told her to throw herself into his arms, but she knew what she had to do. She wanted to say, I love you like a thunderstorm, like a lion, like a helpless rage; but instead she said: "I think I'm going to marry Alfred.
I desire Virtue, though I love her not-
I have no faith in her when she is got:
I fear that she will bind and make me slave
And send me songless to the sullen grave.
Once, she made a boy come out of his house and kiss her under the streetlight. It was her first kiss. She thinks it was probably his, too. She never told him and she never, ever will.
When an editor works with an author, she cannot help seeing into the medicine cabinet of his soul. All the terrible emotions, the desire for vindications, the paranoia, and the projection are bottled in there, along with all the excesses of envy, desire for revenge, all the hypochondriacal responses, rituals, defenses, and the twin obsessions with sex and money. It other words, the stuff of great books.
I'm one of those writers who, when writing, believes she's god-and that she hasn't bestowed free will on any of her characters. In that sense there are no surprises in any of my books.
Annabel looked down. Her hands were shaking. She couldn't do this. Not yet. She couldn't face the man she'd kissed who happened to be the heir to the man she didn't want to kiss but whos she probably was going to marry. Oh yes, and she could not forget that if she did marry the man she didn't want to kiss, she was likely to provide him with a new heir, thus cutting off the man she did want to kiss.
Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.
What's not fascinating about 'Wonder Woman?' She's powerful. She's strong. She gets her strength from other women. She kicks butt in the world. You know, she's bulletproof, which is appealing. But she also has the Lasso of Truth. That's the thing I would want most, that Lasso of Truth. Because in politics, it would be very handy.
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.
Yet losing him seemed unbearable. He was the one she loved, the one she would always love, and as he leaned in to kiss her, she gave herself over to him. While he held her close, she ran her hands over his shoulders and back, feeling the strength in his arms. She knew he’d wanted more in their relationship than she’d been willing to offer, but here and now, she suddenly knew she had no other choice. There was only this moment, and it was theirs.
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