A Quote by Cassandra Clare

Jace likes to pretend that everyone isn’t talking about him, even when he knows they are. — © Cassandra Clare
Jace likes to pretend that everyone isn’t talking about him, even when he knows they are.
And I don’t see how Sebastian can be all that fond of Jace, either. He was horribly jealous of him all his life. He thought Jace was Valentine’s favorite,” added Clary. “Not to mention,” Magnus noted, “that Jace killed him. That would put anyone off.
Magnus looked at her meditatively. 'I think,' he said, 'there isn't much that Jace wouldn't do for you, if you asked him.' Clary opened her mouth and then shut it again. She thought of the way Magnus had always seemed to know how Alec felt about Jace, how Simon felt about her. Her feelings for Jace must be written on her face even now, and Magnus was an expert reader. She glanced away.
Men are four; He who knows and knows not that he knows. He is asleep; wake him. He who knows not and knows not that he knows not. He is a fool; shun him. He who knows not and knows that he knows not. He is a child; teach him. He who knows and knows that he knows. He is a king; follow him. The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.
Everyone likes talking about himself. - Hercule Poirot
There are four types of men in this world: 1. The man who knows, and knows that he knows; he is wise, so consult him. 2. The man who knows, but doesn't know that he knows; help him not forget what he knows. 3. The man who knows not, and knows that he knows not; teach him. 4. Finally, there is the man who knows not but pretends that he knows; he is a fool, so avoid him.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
There is that. I might have better luck telling him I’m in love with him. Jace thinks everyone’s in love with him anyway.” “But I,” said Clary, “actually am.
Chris Nolan can put Batman in full body armor, have him drive a car that looks likes a tank, and make him political, and everyone says, 'Oh, that's OK.' But try making him Filipino, and everyone gets mad.
Even if I'm completely unsure, I'll pretend I know exactly what I'm talking about and make a decision.
How awfully convenient for you, regardless. And for him. He won't have to worry about you spilling his secrets." "Yeah," Jace said. "He's terrified I'll tell everyone that he's always wanted to be a ballerina.
Everyone knows about Amitabh Bachchan being a legendary actor, and I had this sense of arrogance that I can make him do what I want. But what he did on locations completely blew me away. I realised that I understand the quality of performances even more after seeing him perform.
What about Isabelle?" Simon asked. "Where is she?" The humor, such as it was, left Jace's expression. "She won't come out of her room," he said. "She thinks that what happened to Max was her fault. She won't even come to the funeral." "Have you tried talking to her?" "No," Jace said, "we've been punching her repeatedly in the face instead. Why, do you think that won't work?" "Just thought I'd ask." Simon's tone was mild.
I'm not talking about any one team but everyone knows how I feel about New York. I really enjoyed my time there.
The actual communicative value of what we say is usually quite small. I've lived for times in small, isolated fishing villages, where everyone knows everyone each other and everyone knows what's going on and everyone's watched the same TV programs and, really, there's not a whole lot of new information to convey. But there's still a lot of talking. What's said doesn't seem to matter; that you say it, and who you say it to, and how you say it is what matters.
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
If you make everything really on the nose so everyone knows exactly what you're talking about, it's often not as strong.
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