A Quote by Cassandra Clare

Sometimes, when I have to do something I don't want to do, I pretend I'm a character from a book. It's easier to know what they would do. — © Cassandra Clare
Sometimes, when I have to do something I don't want to do, I pretend I'm a character from a book. It's easier to know what they would do.
Sometimes when you cannot decide what to do, you pretend to be a character in a book, because it is easier to decide what they would do"-Cassandra Clare
Sometimes the director will want you to write about the character, sometimes he'll want you to live in the location that the character is from or something like that, but I don't usually make a lot of notes or anything like that.
Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?
I always want to try to bring something fresh to every book. It's getting harder instead of easier. I feel like I work harder with each book. But I don't want it to show on the pages, that's for sure.
Sometimes I'll get a premise, you know, for a book. In fact, I get those quite often. And I don't commit to it until I really know the voice of that character. It's almost as if the character is speaking to me.
It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character.
I try to live my life as honestly as I can, and the last thing I want is to pretend to be something I'm not. To pretend to myself I am a sex symbol would somehow be dishonest. I'd feel, in my heart, that I were behaving artificially and that's the last thing I want to do.
Writing for children is my... that's my medium, you know, and the medium is the picture book, which is a very particular kind of book. I try to give children what I would give anybody, you know. I become interested in something. I find something fascinating. It has to fascinate me, and then I want to give it to them.
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
We learned that orphans are easier to ignore before you know their names. They are easier to ignore before you see their faces. It is easier to pretend they’re not real before you hold them in your arms. But once you do, everything changes.
Sometimes it's easier to pretend that you don't care, than to admit it's killing you.
I live in New York and there are a lot of famous... pizzerias in my neighborhood, it's really hard to find one that isn't famous. Which sucks sometimes, you know what I mean, sometimes I don't want all that glitz and glamour, I just want something delicious, you know? I don't need a celebrity in my mouth, Ray's Up And Coming Pizza would be fine.
You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay.
Sometimes I think too much, or sometimes I don't think enough as the character. Sometimes you just miss a moment, or sometimes you hear something that a character's saying that you haven't heard before and you react differently.
Your Englishman, confronted by something abnormal will always pretend that it isn't there. If, however, you force him to look into it, he'll at once pretend that he sees the object not for what it is but for something that he would like it to be.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
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