A Quote by Cassandra Clare
You told us to leave you in the desert, because you planned to start a new life as cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy.
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She said Robert Joyner had killed himself with a gun. And then I asked why, and then she told me that he was getting a divorce and was sad about it.' 'Lots of people get divorces and don't kill themselves,' I said. 'I know,' she said, excitement in her voice. 'That's what I told her.
The voice of the natural world would be, "Could you please give us space and leave us alone to get along with our own lives and our own ways, because we actually know much better how to do it then when you start interfering."
A cactus doesn't live in the desert because it likes the desert; it lives there because the desert hasn't killed it yet.
New York does nothing for those of us who are inclined to love her except implant in our hearts a homesickness that baffles us until we go away from her, and then we realize why we are restless. At home or away, we are homesick for New York not because New York used to be better and not because she used to be worse but because the city holds us and we don't know why.
I walked in a desert.
And I cried,
‘Ah, God, take me from this place!’
A voice said, ‘It is no desert.’
I cried, ‘Well, But -
The sand, the heat, the vacant horizon.’
A voice said, ‘It is no desert.’
The one I remember is going into London, as it was for us in Essex, on New Year's Eve in 1981. There were four of us and we'd had a few lagers on the way. One of my mates threw up in the Tube and then stood up and fell over in it. We thought it was the funniest thing we'd ever seen.
That sound in tune to you?.. Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
Chronicler picked up his pen, but before he could dip it, Kvothe held up a hand. "Let me say one thing before I start. I've told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.
For too long we've been told about 'us' and 'them.' Each and every election we see a new slate of arguments and ads telling us that 'they' are the problem, not 'us.' But there can be no 'them' in America. There's only us.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
Nature! We are surrounded by her and locked in her clasp: powerless to leave her, and powerless to come closer to her. Unasked and unwarned she takes us up into the whirl of her dance, and hurries on with us till we are weary and fall from her arms.
Women: I liked the colors of their clothing; the way they walked; the cruelty in some faces; now and then the almost pure beauty in another face, totally and enchantingly female. They had it over us: they planned much better and were better organized. While men were watching professional football or drinking beer or bowling, they, the women, were thinking about us, concentrating, studying, deciding - whether to accept us, discard us, exchange us, kill us or whether simply to leave us. In the end it hardly mattered; no matter what they did, we ended up lonely and insane.
You know, there's a reason we can remember," [Catarina] said more softly. "That's much easier when your life has an expiration date." "It may be more important for us.
Once you convince people that they're victims, you really own them because you've just told them that whatever problems they have in life, it's not their fault. And then you're telling them they can't fix them by themselves. Look at your life. Your life sucks. You're a victim of these people here, you can't fix it. You need us looking out for you. "Us" being the Democrat Party in this case, the people that go out and get votes.
Our mother always taught us to be in control of our voice and our bodies and our work, and she showed us that through her example. If she conjured up an idea, there was not one element of that idea that she was not going to have her hand in. She was not going to hand that over to someone. And I think it's been an interesting thing to navigate, especially watching you do the same in all aspects of your work: Society labels that a control freak, an obsessive woman, or someone who has an inability to trust her team or to empower other people to do the work, which is completely untrue.
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