A Quote by Cassandra Clare

You can see where it was, years ago. Like an old woman who was once beautiful, but time has taken her beauty away. — © Cassandra Clare
You can see where it was, years ago. Like an old woman who was once beautiful, but time has taken her beauty away.
Beautiful actors are learning what beautiful actresses like Charlize Theron discovered a while ago - that they get taken more seriously when they trash the same beauty that got them taken seriously to begin with.
I hate the term 'arm candy.' But, look, a woman's figure is a beautiful thing, and if she has shapely legs, then she should show them off, because men love to see that. Not just heterosexual men - gay men like to see a woman in her beauty and the shape of her.
I was taken to a boarding school when I was four years old and taken away from my mother and my father, my grandparents, who I stayed with most of the time, and just abruptly taken away and then put into the boarding school, 300 miles away from our home.
It is a splendid thing to think that the woman you really love will never grow old to you. Through the wrinkles of time, through the mask of years, if you really love her, you will always see the face you love and won. And a woman who really loves a man does not see that he grows old; he is not decrepit to her; she always sees the same gallant gentleman who won her hand and heart.
Some say that I was once uncommonly beautiful, but I wouldn't wish beauty on any woman who has not her own freedom, and who chooses not the hands that claim her.
The Western man declares that in order to be beautiful, a woman must look 14 years old. If she dares to look 50, or worse, 60, she is beyond the pale. By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility.
The beauty of a woman transcends all other forms of beauty, as well in the sweetness of its suggestions, as in the fervor of the admiration it awakens. The beauty of a lovely woman is an inspiration, a sweet delirium, a gentle madness. Her looks are love-potions. Heaven itself is never so clearly revealed to us as in the face of a beautiful woman.
I saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other side: Her side attacks. Her secret weapons. Her uncanny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could finally see what was finally there: an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in.
We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.
The beauty of a woman is not in a facial mode but the true beauty in a woman is reflected in her soul. It is the caring that she lovingly gives the passion that she shows. The beauty of a woman grows with the passing years.
To be beautiful lips - say kind words. To my eyes were beautiful - radiate good. A woman's beauty is not in the clothes, not in its shape or hairstyle. Beauty woman in her eyes, because the eyes - is the gateway to the heart, where love lives.
You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.
I do like beauty, but an older woman can be beautiful and a clever woman is beautiful because that beauty shines through.
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
With social media and advertising and filters and FaceTune-ing it's hard to even to know what's real and what's not. So to see an image of a woman where you can actually see her face and her skin texture and she's still polished and beautiful or even glamorous with a nighttime look, but it still feels like a real person. I feel like that's the kind of beauty I want to applaud and align myself with.
We see the most beautiful creations whither. The beautiful young maiden becomes the old woman and she hates her body because it isn't what it used to be. The young man becomes the old dotard who has trouble remembering.
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