A Quote by Cassandra Clare
The Nephilim - the bogeyman for monsters, and all those who could be monsters.
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I like monsters in general - that's what I like to write about. Somebody was joking with me that my body was becoming a manual for a role-playing game because I'm covered in little monsters. That's true. I could easily have more monsters on my skin.
One of my favorite things about hanging out with the monsters is the healing. Straight humans seemed to get killed on me a lot. Monsters survived. Let's hear it for the monsters.
careful those who fight with monsters, that they might become monsters themeselves.
One reason I loved '80s monsters is after I watched the movie, I could go into my room with crayons or markers and I could very simply draw these monsters that I fell in love with.
Monsters cannot be announced. One cannot say: 'Here are our monsters,' without immediately turning the monsters into pets.
The monsters I thought about are those that don't fit in - those who think differently from the majority, the people of exception, outsiders. I wish that society would place more importance and value on these kinds of monsters.
Monsters exist because they are part of the divine plan, and in the horrible features of those same monsters the power of the creator is revealed.
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, the idea of becoming a parent. We're always kind of looking for those emotional nuggets. They're always at the heart of the story.
If human beings are all monsters, why should I sacrifice anything for them?" "Because they are beautiful monsters..., And when they live in a network of peace and hope, when they trust the world and their deepest hungers are fulfilled, then within that system, that delicate web, there is joy. That is what we live for, to bind the monsters together, to murder their fear and give birth to their beauty.
Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.
'Sicario' is about how the Western world reacts toward problems outside of its borders. Should we become monsters in order to fight the monsters? It's not about the cartels. The movie could have been set in Africa or the Middle East.
You worry that we're becoming monsters. Merlin, we already were monsters. You didn't make us any worse.
Stop being frightened. You only see a monster because they want you to see monsters everywhere. They've conditioned you to look for monsters in every shadow, every coat hung on every door. As long as we keep seeing monsters, we'll continue to need protection and that's how other people get to control our lives.
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