A Quote by Cassandra Clare

When I started 'City of Bones,' I knew exactly what was going to happen in 'City of Glass.' When I first started the six-book series, I thought of it as a three-book series.
The first series I wrote, 'L.A. Candy,' was always meant to be a three-book series, so when I started out it was all outlined that way and by the time I was done with the third book, I had become so involved and the process and the stories, I was a little bit sad to be done.
The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
'Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
Rescue Me' is the first book in a three-book series. Although, like all my series, the books are purposely written so that readers do not have to read them in order.
I started to read my first book at about the age of six. I started to write a book simultaneously. Not to compete, just to augment. And that's how one starts. Or I started.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.
At first Disco Night wasn't meant to be a book, although I'm always thinking about that in the back of my mind. It started off as a series of exploratory road trips that I was doing with Christian Hansen, who I dedicated the book to.
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
The Yankees won the pennant, we went on to the World Series, 41 years after that in the city of Toronto. The great city of Toronto, and all the provinces in Canada, everybody reached out and they were excited because we won the first World Series ever, across the border.
always had the thought I could attract abundance. When I wrote the book Your Erroneous Zones back in the '70s, I absolutely knew the book was going to do well, but it wasn't a goal at all. I just went out there and started doing something I really loved.
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
I've often wished when I started a book I knew what was going to happen. I talked to writers who write 80-page outlines, and I'm just in awe of that.
My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.
I'd love a signed first edition of 'City of Glass' by Paul Auster. My favourite book of all time.
I'm calling my book series the 'with God series.' And this next 'with God' book is Friendship with God, which comes out in November. This books challenges us to bring about the end of 'better' on this planet.
A second book that makes you rethink the first book is the Holy Grail of a series.
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