A Quote by Cassandra Clare

I grew up in L.A., and I worked for 'The Hollywood Reporter.' I knew enough about the business to know that the usual role of the author on a movie is to get out of the way and not say anything.
Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
I grew up with Batman and Superman but definitely in a cartoon and a movie kind of way. I was familiar with DC superheroes. I didn't know much about The Flash or anything about Iris West!
People are always saying that Hollywood messes up kids. I'm like, 'No, families mess up kids!' I grew up in Hollywood, and I'm perfectly fine. If my children want to go into the entertainment business, I won't stop them, as long as they're passionate about it.
When I worked with Chevy Chase, Michael Ritchie would say, "Just ad lib and try to break me up. Just insult me. Anything." When we were doing his close-up, or when my back was to the camera, I would come up with jokes or quips or anything, to get a real reaction out of him. He was smart enough to know that was gold. So it was great fun working with him and Michael, and getting to see how the two worked together. I think Fletch and Clark Griswold were Chevy's two best roles. He's so incredibly talented and still vastly underused.
But I grew up in a place where no one knew anyone in the entertainment business, I never knew it was an actual career. The closest I ever got to movies was going to watch them, and I thought that's the way it would be, so I never considered working in this business.
You write about what you know. It makes everything easier, and also more truthful. In this case, I grew up in Oklahoma, and I grew up in the Cherokee Nation and I'm a member of the Cherokee Tribe. Oddly enough, I know a lot about robots and Oklahoma, and so that's what comes out in my writing.
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
I grew up in business at a time where there weren't very many female role models, and so in the early days, we wore little bow ties like the guys, and we talked about the Army even though we weren't in the Army. And the reality was that wasn't the right way to approach the business world.
I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
I'd get kicked out of buildings all day long, people would rip up my business card in my face. It's a humbling business to be in. But I knew I could sell and I knew I wanted to sell something I had created. I cut the feet out of those pantyhose and I knew I was on to something. This was it.
I grew up in show business, so I always knew I was going to be a dancer or a performer. I knew that was my business.
Peak oil is already upon us. It is destroying our banking system, that is, our system for marshalling capital, and that is about to put us out of business-as-usual. So, we have to carry on with business-not-so-usual. This could mean anything from your children finding careers in farming (rather than show biz or plastic surgery) to reorganizing households differently to traveling from New York to Boston by boat.
Hollywood is the backdrop of my family, and I know that the movie business is incredibly cruel as you get older.
I grew up in Manchester in a big Irish family - there are seven of us in all - so my life has always been about role-playing, about doing anything for a laugh. I'm always joking about; that's the way I am.
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