A Quote by Cassandra Peterson

It's weird. I guess I got so used to [g-strings] when I was really young that I just couldn't stand it anymore. — © Cassandra Peterson
It's weird. I guess I got so used to [g-strings] when I was really young that I just couldn't stand it anymore.
My father was a public figure all my life, and so the presidency was an extension of that. I guess you get used to it, though you can stand back occasionally and think, 'Boy, this is really weird!'
I could always sing, from a really young age, but my voice was really weird. I used to make my mum turn up the radio every day in our house. She was well into music so I got that from her.
If you're on a date and somebody comes up and says, "Oh, I loved you in Harry Potter," it's a bit weird, because you suddenly start thinking, "Oh, God. Is this weird for the other person I'm here with, or is this weird for my family?" But generally speaking, I don't really think because I was thrown into it so young and kind of always had that, it's just something you get used to. And most of the time... It was interesting.
Especially in entertainment geared toward young people, the women are much stronger than they used to be. There's not really the damsel in distress anymore. I think the stereotype still possibly lives in different genre pictures but, in entertainment for the younger generation, they're used to women being equal and being strong. I think if you don't portray that, it would be kind of weird.
When I was young, I used to expect Parisians to wear little black berets, to bicycle about with strings of onions around their necks, and to brandish long sticks of bread, just like they used to do in school textbooks.
'I Know You Care' is about my dad. And I haven't seen him for a long, long time. And my parents divorced when I was really young. And I guess I just wanted a - it was my way of saying that I wasn't bitter or angry anymore. I was just sad and just felt like something was missing.
I guess I'm lucky I learned quite young not to really care what people say. I've learnt young to take a stand if I feel like something's wrong.
Weird stuff, for me, is not that weird. I guess if it were other people, they'd think it was weird. I eat nutritional yeast. And sometimes I take clay shots to help pull toxins out of my body. I eat weird L.A. food, so I guess that's probably weird in other people's eyes.
The earliest stand-up comedy I was aware of was Bill Cosby. I watched Saturday Night Live as soon as I was aware of it, and Monty Python used to be on PBS at weird hours, so I used to try to watch that. And I loved George Carlin on SNL, that was the first stand-up I ever really remember seeing on TV. And then Steve Martin. I guess I was in fifth or sixth grade when Steve Martin showed up, and he was instantly my idol. And Richard Pryor around the same time too, I sort of became aware of him, though I don't remember the first time I saw him.
I guess after college, I just got really into food. I also think going on the road doing stand-up makes you more into food. Because when you travel like that, one of the things to do is find really good places to eat.
Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.
What really surprised me was how strange my paintings are anyway. To me, it's like, "Let's paint some portraits and some objects. Don't make it weird, just make it dead straight," but it's still weird. I don't know why. I guess it's just the way I see things.
I was an adult and I was in the Edinburgh Fringe Festival. I was performing in this cave - they used to bury the plague victims in these caves underneath the streets of Edinburgh, when I got this weird cold sensation up my spine, it gave me this really weird feeling, and then I looked up and there was this white, sudden white shape, that just zapped from me and went straight to the light that was at the back of the room, and I just stopped cold and said to the audience, "Did you guys see that?" No one saw it.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
I used to break three or four strings a night, and the show would be over because I didn't know how to change the strings.
My parents split up when I was young, and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
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