A Quote by Cassandra Wilson

I've often cringed when I heard myself described as a jazz singer. I've always thought of myself as a jazz vocalist. — © Cassandra Wilson
I've often cringed when I heard myself described as a jazz singer. I've always thought of myself as a jazz vocalist.
I cringed when I heard myself described as a Jazz singer. I've always thought of myself as a Jazz vocalist.
I never called myself a jazz singer. I just call myself a vocalist because I love to sing all kinds of things.
I wouldn't really call myself a Jazz singer I think it's offending to real Jazz singers to call me a Jazz singer.
I would not describe myself as an avid jazz fan and I am not a jazz musician myself. However, that is not to say that jazz does not play a vital and important role in my life.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I was very adamant about not being called a jazz singer, but now I've embraced it. The way I approach music is through jazz, so I'm a jazz singer.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
I've listened to Jazz since I was born and always knew I'd be a Jazz singer!
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
I've had experiences where people say, 'I hated jazz before I heard you guys!' I'm like, 'You didn't hate jazz before you heard us; you hated the idea of jazz.'
I've had experiences where people say, 'I hated jazz before I heard you guys!' I'm like, 'You didn't hate jazz before you heard us, you hated the idea of jazz.'
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
I was singing totally jazz then, but when I heard the Beatles and heard the gospel influence and everything, I just said, 'I can make jazz with R&B.'
I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
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