A Quote by Caster Semenya

We all know that we Africans just win medals in middle and long distance, and walking in their footsteps makes me feel proud, you know. — © Caster Semenya
We all know that we Africans just win medals in middle and long distance, and walking in their footsteps makes me feel proud, you know.
It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.
I know that God is working through me within this sport. I know He's put me here for a purpose and it's not just to win medals. Winning is great and hopefully it gives me a platform to spread His love and spread His Word, but at the end of the day, I'm called to do what He wants me to do.
I know there are a lot of eyes on me now from young girls, and it makes me so proud. The only Black woman examples aren't Rihanna and Beyoncé. It makes me proud that I am a classical ballerina and they can look at me and see another way to succeed. That is setting a new standard.
I think I'ma make every hood proud. Everybody that ever seen me come up, know what I came from, know how I came up, know where I started. I feel like I'ma just make everybody proud.
All of Europe is tremendously integrated now; perhaps from all those years of colonization. Everybody that they've colonized has come to the mainland, so you'll have a racially diverse audience as well. You'll have many Middle Easterners, Asians, Africans, from seven to ninety sitting in the audience, and the really incredible thing is that they all know the music. I don't mean they just know a song here and there. They know the music. They are a very educated audience.
I'm a guy who wins medals rather than runs fast times, so for me, what keeps me going is winning medals for my country and making my nation proud.
I know what kind of pitcher Whitey was, and I know what kind of person Whitey is. It makes me feel proud to be a Yankee. We're keeping this in the family.
I don't know what to do with my arms. It just makes me feel weird and I feel like people are looking at me and that makes me nervous.
I was bribed into starting swimming with the promise of sweets and by being told that you can win medals. My mum had given me a bag of medals which she had won when she was young, so the idea of winning medals was very exciting.
You know what's funny to me? You know what's really funny to me? The fact that you've been calling Lita the walking kiss of death, but tonight.. the walking KOD beat the walking STD.
Writing, painting, singing -- it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death's footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.
I believe now that I've cemented my spot as the best swimmer in the world, and I can't describe how proud that makes me. I just want to keep working hard and hopefully just inspire more youngsters to keep swimming and encourage South Africans to become a winning nation.
Just know this, if that day does come where I do win this mirrorball, know that I didn't just win it for me, but I won it for all of us with MS.
I'm not the greatest long-distance shooter, I know that. But I know if I can get around that free-throw line area, a lot of times you've just got to hope I miss.
Focusing on the way I look makes me uncomfortable. I try to focus on the way I feel - I know what makes me feel better about myself. Reading my child a story makes me feel great, doing my hair nicely doesn't.
All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.
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