A Quote by Caster Semenya

I don't like fame, I prefer to have no profile. But this is not possible for me. This is what I do, so I just have to find a way of being comfortable with it. — © Caster Semenya
I don't like fame, I prefer to have no profile. But this is not possible for me. This is what I do, so I just have to find a way of being comfortable with it.
I don't like fame; I prefer to have no profile. But this is not possible for me.
I like the level of fame that I have. You get nice tables in restaurants sometimes, but fame isn't something that I find comfortable.
I've always kept a low profile. I'm not comfortable at social events or parties. I feel awkward. So if I'm not working, I prefer to remain in my own zone.
Actually, I find it embarrassing being a pop star. I prefer it when people just treat me like anybody else, although occasionally there is a side of me, which is indulgent and I expect certain things because of my position. It's one of the perks.
I just try to be true to myself and look the way that I'm comfortable looking. Because if I'm comfortable with me, then you're going to be comfortable with me as well.
As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
Coming from being a dancer, it was a great way for me to transition into being an actress. I get to really be expressive through my physical self, and that was just a comfortable way for me to start experimenting with how to get my character across.
I prefer just being with people I like. That's my way of celebrating.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
People often think of artists and scientists as being diametrically opposed, but we both believe something is possible. We have a hypothesis and then we do everything to make it possible, but we don't know if it's possible! All the scientists I've worked with have a natural, easy fit with me. The solutions they find are truly creative. All scientists, in some way, are artists.
You have to feel comfortable being uncomfortable. I'm always comfortable being uncomfortable. And to be comfortable being uncomfortable, I have to hone my discipline, which to me is doing what I have to do, but also doing it like I love it.
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you.
Being a mom has affected me in the greatest way possible - and in a necessary way. Having my son has helped me to be grounded, and I feel like with a child you have to really think about things all the way through.
I'm not very comfortable being an actorvist so to get to do something that I believe in is a much more comfortable way for me to be political.
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