A Quote by Caster Semenya

I don't like fame; I prefer to have no profile. But this is not possible for me. — © Caster Semenya
I don't like fame; I prefer to have no profile. But this is not possible for me.
I don't like fame, I prefer to have no profile. But this is not possible for me. This is what I do, so I just have to find a way of being comfortable with it.
The truth is I don't really like the world of plastic money: the great chip-and-pin double act of modern payment. I prefer cash. I don't like the idea of some distant clerk nodding each time I make a card purchase and quietly adding to my 'consumer profile.' I'm anti all cards.
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.
I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.
I've always kept a low profile. I'm not comfortable at social events or parties. I feel awkward. So if I'm not working, I prefer to remain in my own zone.
I love celebrities, and I love the concept of fame, but it took me getting fame to realize that it doesn't exist, which was kind of a bummer. Fame is great if you're not famous, because it seems like this elusive impossible dream world. And it's not. It's a fancy word that managers and producers make up so they can keep hawking you for more money.
Sometimes, fame does scare me. When people know where you are and what you're doing, that can be frightening because I'm such a private person. So I like to try and keep things light-hearted and stay as private as possible.
You'll never see me in any of the tabloids because I've made a conscious effort to stay out of that. I'm not interested in fame. I'm interested in hard work and letting my work speak for what I do. I've been in high-profile shows but you don't see stories on me because I don't go out and court them.
For me, when I go in to write a profile, and no ground rules are laid down, and I'm there to write an on-the-record profile and cover readings while in the room, then that means it's on the record.
Somewhere along the way, we made it unpopular to value oneself outside the structure of fame. We created these new categories, even - reality stars, YouTube stars, Instagram-famous, Twitter-famous - when we enlarged the fame game board to allow new valuations within the fame structure to accommodate as many people as possible.
To be conservative, then, is to prefer the familiar to the unknown, to prefer the tried to the untried, fact to mystery, the actual to the possible, the limited to the unbounded, the near to the distant, the sufficient to the superabundant, the convenient to the perfect, present laughter to utopian bliss.
It's not my plan or whatever in my life to be a sex symbol. It never is. You are who you are, but you can't help what you look like. And when you do a film, like for me, it's just not about that. I would prefer to downplay it. I prefer to downplay the sex appeal.
I am not looking for fame. I prefer to have a normal life.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
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