A Quote by Cat Power
Nobody considers a covers record an album.
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Some of my favourite record and album covers and stuff have all been the singer, and they create a character, and they dress up a little bit.
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
For me, I've always been intimidated by the computer coming from the era of record industry and record stores and buying records and looking at album covers, waiting in line for records when they came out and then ultimately being successful in a band where we recording pre-computer era.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
It's really much more than the plastic of album covers and record sales and dollars and cents. Music is just everybody's mother. Music is the power of you.
One of the first records I bought for myself was a Keith Whitley record. I still love the 'L.A. to Miami' album. There were so many things on there - 'Miami, My Amy,' 'Ten Feet Away,' 'Nobody in His Right Mind Would've Left Her.' I can put that album on repeat and listen.
If I'd just been interested in record sales, I would have taken one of the deals I was offered after 'Soapstar Superstar,' made a quick covers album and probably had some success for five minutes. I decided that wasn't for me.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
I posed as an album-cover designer and photographer... That I today have some album covers and photographs to show for myself is a monument to the attention-to-detail of my disguise.
Growing up, I never knew that Raffi turned down celebrity endorsements, TV shows, and specials and refused to make merchandise, but it makes sense given how I think about him: My memories are limited to his voice through the record player and the album covers I stared at.
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
I can't see going onstage wearing a long-sleeve shirt in the dead of summer. I work out hard during the day with a trainer who monitors everything I put in my mouth when I'm on tour. When I first got a record deal, you can tell by my early album covers that working out wasn't that much a part of my life.
In my head, I consider 'No Turning Back' my 'dipping the toe in the water' album. It was mostly covers of favorite songs, and there were three originals in there. So, it feels like it was just my album to see what the temperature of the water was.
I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'
It used to be that you made an album and then you went on the road to promote that album, hoping for good record sales. Well, good record sales basically don't exist any more, and the emphasis has been more on the live show.
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