A Quote by Cate Blanchett

My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].
When I first came on the scene, I don't think people knew what to make of the way I dress, my aesthetic and how that ties into my music. It took a lot of explaining. You don't really see females in country music dressed in all black wearing funeral garb with netting on their face. I have a bit of a gothic sense to me in a lot of ways, with a bit of outlaw country, rockabilly and blues. My subject matter is off the cuff a little bit.
Before we make love my husband takes a pain killer. I blame my mother for my poor sex life. All she told me was, 'the man goes on top and the woman underneath'. For three years my husband and I slept on bunk beds. I'm a double bagger. Not only does my husband put a bag over my face when we're making love, but he also puts a bag over his head in case mine falls off. It's so long since I've had sex, I've forgotten who ties up whom. My best birth control now is to leave the lights on.
Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.
I used the Internet to keep really close contact with my fans. I think that one thing I brought over the ocean with me was the connection with my fans. They went through the process with me. They're very supportive of me, but I was nervous about that. I didn't want to make it seem like I was abandoning them.
She moved closer to me, put her hands to my face, and kissed me softly on the lips. God, it felt so good. So perfect, so right... It felt so good, I nearly fell off the roof.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.
I have three older sisters who, when we were children, used to hold me down on a bad day and put make-up all over me, so I've had an aversion to it all my life and hate sitting down in the make-up chair.
I couldn't really tell if it was a different childhood because I was used to it, it was kind of normal to me. The only time I remember it felt a bit odd was when I went to other people's houses and they were calling people 'dad.' I wouldn't get that. But my uncle, who also lived with me, was a father figure.
It was time to come up here and retire with my wonderful husband, and my children and my grandchildren, and make that change. I'm not good at hanging on. When I make a decision to cut it off, I have to cut it off completely. I'm not good at, "Oh, I'll stick around and consult a little bit." I'm not good at that and I don't want to do that. I don't think you get anywhere doing that. I mean, I don't, although other people might. But that's not my personality. It's not my id. I have to make the break and be a good sport and adjust to it.
People always ask me, Do you ever think you'll wake up one morning and not be funny? That thought would never occur to me--it's an odd thought and not realistic. Because funny and me are not separate. We're one.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
It wasn't my first kiss, maybe it wasn't my best kiss, but it was pretty fine, and the fact that he had asked will forever make that kiss stand out in my mind, touch my heart, make me remember a kiss so tender it made me cry.
Loving the process. I learn it over and again and in different ways. I'm speaking particularly to the musical process, but I definitely think that this lesson transcends. Loving the life process. Loving the process of becoming stronger by experiencing something that makes me feel unsteady. The process of speaking and living my truth and making my own path.
To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.
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