A Quote by Cate Blanchett
The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'
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I think the key is that nothing's ever perfect and you've got to be able to go with change. It's a lot easier said then done because I especially like things very structured and I don't like change, but it's part of life; you've got to just deal with it.
I wouldn't change anything. I think that it's important to let things happen, and stay 'happened'. I think that's all part of the learning curve, part of fate. I'm just glad that it happened.
Being able to get a big body to change direction, I think that's huge. I don't think a lot of tight ends incorporate that enough. I got a lot of that from playing hockey when I was younger, being able to play on the inside and outside of skates, as well as on the basketball court, being able to put my foot into the ground and crossover.
I think a lot of people want people who actually have qualities they don't find attractive as a way of being able to change them. It's fascinating, because people think if they can change the other person, they can change themselves. It's a complex phenomenon. It's a fantasy that's actually about being able to come to terms with ourselves.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.
Things happen very quickly and they have to happen quickly in order to have vitality, which I think is essentially part of a good pot. But in addition it means that you can explore an idea and change it and then change it and then change it; I don't mean by changing the one pot, but you make one pot then you make another that's related to that; you make another - you can make 50 pots in a day and none of them are going to be carbon copies of any other, but they'll all be related because there's something going through your mind about the form on that particular day.
A lot of times when I ask people what their apocalyptic fantasy life is like, they'll immediately say something like, "Oh, what I think is going to kill us is climate change or World War IV," and that's not what I'm interested in at all. The point is not about winning a bet about what's going to happen. The point is about the human action of examining the possibility, the kind of obsessive imagining about it.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
I think that the notion of being creative is the notion that, inwardly, you assume that many things are possible. And that you can try these things and that something will happen.
I don't really expect anything to happen anyway; if I book a tour, I know it might not happen. I just think about the things that I have got. A lot of good things have happened to me too. It could always be worse.
I basically don't think that the way we do things is that dependent on one resource, such as oil. There can be different kinds of engines for cars. I think that solar heating, wind heating can substitute for a lot of uses for oil. I'd like to see those things happen because they are more sustainable in any case. But I do not think that running out of oil is not going to bother us that much. I think we have got to be rescued by something or we really are going down a slippery slope.
It's the balance I'm trying to find - not being disconnected but giving myself some space to be in my world. I feel like I'm surrounded by friends of mine who are very different from one another but all care about similar things. We talk about this a lot, and I think that's probably the main thing - being surrounded by good people is the best way to stay in a solid head space. You want to be able to talk about these things, and be able to think things through and feel things through. That's helpful for me.
I've always been on the outside of all that political stuff so I just sort of watch it and I'm appalled and I think people should be screaming about a lot of things right now and they're not. They're just letting everything happen. I don't know. At some point the wheels are going to come off and we're going to have a real problem. The people are going to get angry and it's going to be too late.
When something really affects you, it's hard to find the humor in it sometimes. There's are a lot of reasons why there are so many white male comedians, but I think part of it is that they are able to joke about a lot of things because a lot of things don't affect them personally.
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