A Quote by Cate Blanchett

As an actor I suppose you're constantly observing. I don't sit in restaurants making notes, I don't live my life in order to then feed it into my work. — © Cate Blanchett
As an actor I suppose you're constantly observing. I don't sit in restaurants making notes, I don't live my life in order to then feed it into my work.
I don't do any editing while we're making the movie. I sit down and watch it all with my editor, we make longhand notes on pads, and then we begin our work.
I discovered early on that some performers live their life in order to act, so all their relationships are simply an experience that they can feed back into their work. Which I find vampiric.
I find five or six restaurants and I just constantly order from them or go there. I don't change much.
Jose Andres has this brilliant plan which is that you employ the restaurants and restaurant workers, and then you pay them and then they feed people in need.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
Donald Trump is making decisions that affect people's day-to-day life, and he's constantly, constantly making some crazy announcement. It's like, "Well, what are we supposed to talk about? The D train? Traffic?" Trump is the one guy that's like, "Yeah, I'll do 90 minutes of live comedy. Seems easy enough."
I'm trying to dismantle a stereotype that in order to live any kind of creative life, you have to be in torment and suffering. We're addicted to this idea because it makes for good bio pics... but I actually think it's better to live a life where you're constantly exploring your curiosity and creativity.
I'll sit in the park and feed the pigeons for a while.' We don't have pigeons.' Then I'll feed the pterodactyls.
It is only those who are in constant revolt that discover what is true, not the man who conforms, who follows some tradition. It is only when you are constantly inquiring, constantly observing, constantly learning, that you find truth, God, or love.
We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.
I'd be terrified even now for a Latin kid wanting to be an actor, but back then? Forget it. They must have thought I was going to be working in restaurants and driving cabs for the rest of my life.
What's exciting about theatre is observing human behaviour. You're constantly making judgments about body language, the physical, the emotional, the intellectual.
Then I sit down, work at it, because now I have a convincing feeling about what that place wants to be, you see? And it's not just me. Me and my talent comes in taking that consensus and then making something wonderful out of it - a work of art.
I think when you have a character as richly drawn, I suppose then there are subconscious, mental notes that you've made.
When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
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