A Quote by Cate Blanchett
You can't be trying to make a film that pleases all people, you know, so it's not a concern of mine.
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Our first postulate is that because God is God, He does as He pleases, only as He pleases, always as He pleases; that His great concern is the accomplishment of His own pleasure and the promotion of His own glory that He is the Supreme Being, and therefore Sovereign of the universe.
I know a lot of directors have a whole staff of people trying to find their next film for them. I always just end up writing mine.
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
When I'm introduced as a two-time Oscar winner, I'm happy that a film of mine has found an audience and some acclaim because that keeps me in business. A filmmaker's greatest concern is the ability to make future films, so it helps keep me in business.
We don't condone it, but it happened. Is there a concern Yes, there is a concern. People are going to think what they think. But the reality is, I know the players we have, I know the character we have. We're recruiting the right people.
The thing about film is that your eye is selective. Film isn't. You have to make film do what you want. Simply photographing something doesn't do it. You have to know how to apply light and know what it does on film.
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
You're always just trying to make your film, tell the story you're trying to tell - best you can, you know.
The psychologists are valiantly trying to provide us with answers, the religious people are trying to provide us with answers. I think it properly falls on the cultural workers to investigate this predicament with a little less concern for the marketplace and a little more concern for their higher calling.
Capricornia there is a particular regional particularity and that is the Adani mine. We know that Adani, the massive Indian coal company, wants to develop the Carmichael mine... And people in Rockhampton know that and they know that the Greens are doing everything they possibly can to prevent the development of the Adani mine.
I don't know what my favorite film of mine is... But I think the most important film I was in was 'Glory'.
I don't know what my favorite film of mine is... But I think the most important film I was in was Glory.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
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