A Quote by Cate Blanchett

I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that. — © Cate Blanchett
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
'Death Of A Salesman,' 'Streetcar Named Desire,' these are the things that, when I was growing up, made me want to be an artist.
Growing up, I loved films like 'A Streetcar Named Desire' and 'On the Waterfront' and became a huge fan of Marlon Brando.
They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
People's relationship to what they want from theatre is changing. People, including me, are still looking for the next STREETCAR NAMED DESIRE. And people can't or won't write that anymore.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
I have a background in theater. At the time I read The Loved Ones script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in A Streetcar Named Desire and Isabella in Measure for Measure.
People who don't know how old I am can cast me as the woman in 'Girl with a Pearl Earring' and can cast me as Stella in 'Streetcar Named Desire,' and they are miles apart.
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
"What would people say about you when you're gone?" That to me was a very important question. I thought about that for a couple of years and said, "What people say about you when you're gone doesn't matter. You're gone." What really matters is, "What do you say about yourself in the here and now? Are you proud of what you're doing?" If you had a short lease and it ended today, or it ends tomorrow, what would you wish you would have done? You better do it.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
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