A Quote by Cate Marvin

I consider poetry my vocation, not my "career." My career is as a university professor; that's what pays the bills. — © Cate Marvin
I consider poetry my vocation, not my "career." My career is as a university professor; that's what pays the bills.
Poetry is a vocation. It is not a career but a calling.
I'd sort of acquired somewhat more mature perspective on what my career is and I don't...not anymore...consider fame and fortune my career. I'm not a star. I'm an actor. So in a way, what I want to do as an actor, I would consider good for my career. Does that make sense?
I would not recommend poetry as a career. In the first place, it's impossible in this time and place - in this culture - to make poetry a career. The writing of poetry is one thing. It's an obsession, the scratching of a divine itch, and has nothing to do with money. You can, however, make a career out of being a poet by teaching, traveling around, and giving lectures. It's a thin living at best.
I don't consider my work a job. I consider it a career. And you don't quit a career.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
Frankly, writing poetry for children is plain old fun, and I consider myself blessed to have such a delightful career.
I was going to be a High School teacher. I was studying at the University of Alberta in Edmonton, up in Canada. I was also acting in a wonderfully supportive theatre community in Edmonton. There's a lot of support for theatre there. So, I was having a great time, but I didn't consider acting as a serious career initially, because even the most successful actors that I know in Edmonton are not super successful. Acting over there is just not a success-oriented career.
I give my grandfather, Dr Harold Young, a forestry Professor at the University of Maine, full credit for my career path. He pioneered the use of aerial photography in forestry in the 1950s, and we think he worked as a spy for the CIA during the Cold War, mapping Russian installations.
I think because of my background - I went through university and did an academic career and fell into acting - I've never had a game plan for my career because I got into it quite ad hoc.
I'm a very happy university professor... the best thing about being a university professor is that you see young people as they're being shaped and molded toward their own future, and you have a chance to be a part of that.
Elected officials want to paint everyone with a broad brush. What they don't get is that everyone pays bills. Liberal activists pay bills. Conservative activists pay bills. Independents pay bills.
When divorces meant marriage no longer provided security for a lifetime, women adjusted by focusing on careers as empowerment. But when the sacrifice of a career met the sacrifices in a career, the fantasy of a career became the reality of trade-offs. Women developed career ambivalence.
I was promoted associate professor in early 1970 and full professor in October of the same year. I spent the two spring semesters of 1972 and 1974 as visiting professor at Harvard University, giving lectures and directing a research project.
As I started to consider a career in music, I hoped for success, truthfully. I didn't imagine anything that would amass the level of the first record, but I hoped that I would be able to sustain a career.
I have never separated the writing of poetry from prayer. I have grown up believing it is a vocation, a religious vocation.
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