A Quote by Cate Tiernan
I didn't know where this stuff was coming from - all of a sudden I was a little magickal sprite, bonding with my stone, feeling my earth roots, la la la... All I can is describe the way it felt. And that was how it felt. So sue me. Was I swaying? I felt like I might be swaying.
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I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
I grew up in LA, and I don't think I've seen LA onscreen in a way that felt real to me. There are definitely movies, but they are few and far between. I wanted to see a movie that was set in LA that wasn't about the film industry. LA is such a lonely place to be alone. In New York you can just walk out and be among people. You're on the subway among people, you go to cafés, you can talk to people. In LA, no one talks to each other, you're in your house, you're in your car, even when you take walks there's no one on the street.
It's kind of a lost art form, the musical, in a way, so when 'La La Land' came around, I couldn't believe my luck. I just felt like I needed someone to keep on pinching me 'cause not only was it a chance to make a musical but to work with Damien Chazelle, Emma Stone, and Ryan Gosling.
Christmas was a miserable time for a Jewish child in those days, and I still recall the feeling. ... Decades later, I still feel left out at Christmas, but I sing the carols anyway. You might recognize me if you ever heard me. I'm the one who sings, 'La-la, the la-la is born.
Now is the month of Maying, When merry lads are playing. Fa la la... Each with his bonny lass, upon the greeny grass. Fa la la... The Spring clad all in gladness, Doth laugh at winter's sadness. Fa la la.
No one in my family plays music. But since I was very little, I would go around the house singing and dancing. And when I was 8, my parents asked me to get up and sing something at a family meal. I had my eyes closed, singing - la la la la la - and when I opened them, the whole family was crying.
It is amazing how much more amazing sleep is in the morning. You wake up and you're like, "I stayed up to do what?! Watch Growing Pains? What was I thinking!?" But at night you're like, "La La La La La, Hey! Growing Pains, awesome! And I've seen this episode. That Kirk Cameron's always in trouble."
I loved 'La La Land.' I would love to do a film like 'La La Land' which has so much simplicity and joy of cinema in it.
I've always been a little off, but it's worked really well for me, and it still works. After so many years, you have a look, you become a brand, la la la.
Making art for me is not fun in the sense of la, la, la, la, but it's something that I find very absorbing and very satisfying.
Mom and I were walking onteh beach and I was explaining to her how I wantd to "GET OVER all my INSECURITIES" and "La La... La..".... and she looked at me and said "Sabrina, does anyone realy feel good about themselves for MORE than 5 minutes?" We both laughed. I was releaved to know she felt that way becuae she seems SO graceful, calm and beautiful, which she is.. but also full of so much more. Auestions, doubts + WONDER. I think that if we can aim for just five minutes a day of complete acceptance of ourselves, we are doing very well!
Savoir souffrir sans se plaindre, ça c'est la seule chose pratique, c'est la grande science, la leçon à apprendre, la solution du problème de la vie.[Knowing how to suffer without complaining is the only practical thing, it's the great science, the lesson to learn, the solution to the problem of life.]
One time in spring training, we had the hit-and-run on, and Carl Erskine threw me a curve and I struck out into a double play. I came back to the bench and Casey [Stengel] said, 'next time, tra-la-la.' I didn't know what tra-la-la meant, but next time up, I hit a line drive, right into a double play. When I sat down, Casey came over and said, 'Like I told you, tra-la-la.'
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much, like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
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