A Quote by Cate Tiernan

No, officer, I have no idea why I'm wearing this possum costume. I called you what? OH. My bad." -Nastasya — © Cate Tiernan
No, officer, I have no idea why I'm wearing this possum costume. I called you what? OH. My bad." -Nastasya
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
If James Franco's wearing a costume, and I'm wearing a motion capture suit, we don't act any differently with each other because of what we're wearing. We're embodying our roles.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
What is this called, what I am doing, to myself, to my life, this wallowing, this pondering, this rolling over and over in the same places of my memory, wearing them thin, wearing them out? Why don't I ever learn? Why don't I ever do anything different?
I've eaten weird things through the course of my life. I've eaten wild game, I've eaten possum - possum's no good.
If we have a great idea, we'll go, 'Oh, this could be a cool movie.' Or really for us, it's more like, 'Oh, this is a really bad idea. Let's do this. This seems really stupid.'
Love is a competition. If you don't think so, then you're crazy, because why are you dressing up, why are you wearing those heels, why are you wearing that $400 perfume? Why are you shaving your chest and eating 40,000 egg whites?
I think there's a character one has if you're a chief executive officer. Movies would suggest you're a bad person - if you're wealthy, if you've done well, oh, you must be bad. And frankly, winning the lottery doesn't change who you are; you're the same person inside. And I'm the same person I was as an 18-year-old who fell in love with Ann.
Why did the chicken cross the road? To prove to the possum that it could be done.
That's all life is, I guess. Just a bunch of riffs. Look at me: I'm wearing a tie. Why am I wearing a tie? It's because I saw an adult wear a tie and I thought, Oh, that's what people do. We're all just trying to be what an adult is.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
I feel like whole idea with makeup is that I don't want anyone to think, 'Oh she's wearing makeup.' I just want them to think, 'Oh she looks good!'
There's an idea called "gray man", in the security business, that I find interesting. They teach people to dress unobtrusively. Chinos instead of combat pants, and if you really need the extra pockets, a better design conceals them. They assume, actually, that the bad guys will shoot all the guys wearing combat pants first, just to be sure.
My children are 12, 12, 8, and 7, which is bad idea, bad idea, bad idea, bad idea, for mom going inside.
I've done a few costume dramas, and people say, 'What was it like wearing the costumes? Did they really help you with your character?,' and most of the time it doesn't make any difference. You're wearing something a bit weird, and it's sort of uncomfortable, but it doesn't really have a huge impact on the part that you're playing.
No one ever heard of the truth being enforced by law. When the secular is called in to sustain an idea, whether new or old, it is always a bad idea, and not infrequently it is downright idiotic.
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