A Quote by Caterina Scorsone
A tumor often grows silently and doesn't start making itself known until it's pushing on structures or organs or tissues around it in a way that starts to mess up the whole system.
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The long-term vision is to replace, repair and regenerate failing tissues and organs with the materials of tissues and organs. It's still 'out there,' but it's possible to put together a grant proposal now that doesn't sound completely crazy.
When you give government the power to control the money supply, it grows like a tumor until it extinguishes society itself.
I don't know whose sensibility I'm responding to. Until someone starts pushing against what they've inherited and starts making their own decisions about language, it's difficult.
The real self and the public self are intertwined, like a tumor around an organ, and you can't cut the tumor or you'll kill the organ, so they live together, until the tumor chokes the organ off - but which self is the tumor?. Or it's like something out of Star Trek. The Borg.
Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
To promote the healing response, you must get past all the grosser levels of the body - cells, tissues, organs and systems -- and arrive at a junction point between mind and matter, the point where consciousness actually starts to have an effect.
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn't expected or predicted by what I supplied. Once phase two begins everything is okay, because then the work starts to dictate its own terms. It starts to get an identity which demands certain future moves. But during the first phase you often find that you come to a full stop.
Life, Steffi has learned, carries on around the pain, making room for it, absorbing it until it becomes part of the daily fabric, wrapping itself around you and lodging itself in your heart.
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it the way you think is right at that time. With clay that's not possible. You either succeed the first time, or you should wad it up and start over again, because you can't mess around with the clay and still have it fresh.
The whole system is under tremendous strain. Although the increasing pace of change is essential for developing new solutions, it is also pushing society to its limits. In global structures, it all comes to a head in the form of sudden crises. This leads to tipping point situations in which the seemingly impossible becomes possible.
My feeling is that a human being or any complex organism has a system of cognitive structures that develop much in the way the physical organs of the body develop. That is, in their fundamental character they are innate; their basic form is determined by the genetic structure of the organism. Of course, they grow under particular environmental conditions, assuming a specific form that admits of some variation. Much of what is distinctive among human beings is a specific manner in which a variety of shared cognitive structures develop.
I don't read music. I don't write it. So I wander around on the guitar until something starts to present itself.
Even leaving aside government policy, whole industries are already making expensive changes around the perceived need to 'go green.' Al Gore and countless other prophets of global catastrophe are making megamillions pushing these expensive solutions. Schoolchildren around the globe are being frightened by tales of impending calamity.
In the bacteriology lab, we have culture plates. You put a bug in there and it starts growing and gets bigger and bigger and bigger. And it grows until it finally fills the whole plate. And it crashes and dies.
Everybody grows up and they have to make decisions, and they try and make the best decisions that they know how to. It's taken them their whole lives to finally step out and start making their own decisions.
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