A Quote by Catherine Anderson

A man whose yesterdays rest on his horizon travels forward into his past. The result is that he goes a very long way to nowhere. — © Catherine Anderson
A man whose yesterdays rest on his horizon travels forward into his past. The result is that he goes a very long way to nowhere.
A man must generally get away some hundreds or thousands of miles from home before he can be said to begin his travels. Why not begin his travels at home? Would he have to go far or look very closely to discover novelties? The traveler who, in this sense, pursues his travels at home, has the advantage at any rate of a long residence in the country to make his observations correct and profitable. Now the American goes to England, while the Englishman comes to America, in order to describe the country.
[Man] is the only animal who lives outside of himself, whose drive is in external things—property, houses, money, concepts of power. He lives in his cities and his factories, in his business and job and art. But having projected himself into these external complexities, he is them. His house, his automobile are a part of him and a large part of him. This is beautifully demonstrated by a thing doctors know—that when a man loses his possessions a very common result is sexual impotence.
There is only one thing that a man really wants to do, all his life; and that is, to find his way to his God, his Morning Star, salute his fellow man, and enjoy the woman who has come the long way with him.
The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius. . . . They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; - cinders and smoke there may be, but not yet flame.
There are endless ways to amuse oneself and be idle, and most of them lie outside the woods. I assume that when a man goes to the woods he goes because he needs to. I think he is drawn to the wilderness much as he is drawn to a woman: it is, in its way, his opposite. It is as far as possible unlike his home or his work or anything he will ever manufacture. For that reason he can take from it a solace-an understanding of himself, of what he needs and what he can do without-such as he can find nowhere else.
A miracle is a supernatural event, whose antecedent forces are beyond our finite vision, whose design is the display of almighty power for the accomplishment of almighty purposes, and whose immediate result, as regards man, is his recognition of God as the Supreme Ruler of all things, and of His will as the only supreme law.
Man often thinks of either his past or his future and in the mean time today passes like a fast train, disappearing forever on the horizon of life!
What a man has made himself he will be; his state is the result of his past life, and his heaven or hell is in himself.
I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars.
A garden is a result of an arrangement of natural materials according to aesthetic laws; interwoven throughout are the artist's outlook on life, his past experiences, his affections, his attempts, his mistakes and his successes.
You know when a person goes into the ring to win, or at least not to lose. I mean, when a fighter is ready and goes to fight, than it can be seen by his look. Regardless of whether he gets hit or not, he goes forward, and regardless of whether he wins or loses, he wants to go forward, and it is clear from his burning eyes.
When his wife was at his side, she was also in front of him, marking out the horizon of his life. Now the horizon is empty: the view has changed.
A man never forgets his body the way a woman does, because a man is pushing his body, a part of his body, forward, to make the act of love happen. He brings the jut of his body into the act of love, then takes it back, when it has had its way.
I would call an intellectual one whose instrument of work - his mind - is also his major source of pleasure; a man whose entertainment is his intelligence.
Every man needs his Siren to check his courage and strength when he hears her song in his travels through the unknown.
Each man in his life honors, and imitates as well as he can, that god to whose choir he belonged, while he is uncorrupted in his first incarnation here; and in the fashion he has thus learned, he bears himself to his beloved as well as to the rest. So, then, each chooses from among the beautiful a love conforming to his kind, and then, as if his chosen were his god, he sets him up and robes him for worship.
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