A Quote by Catherine Cortez-Masto

You've got to get out and talk to voters, and you've got to let them know who you are. Talk with them, listen to them, and let them know how you're going to fight for them. — © Catherine Cortez-Masto
You've got to get out and talk to voters, and you've got to let them know who you are. Talk with them, listen to them, and let them know how you're going to fight for them.
People are sitting at their kitchen table talking about how they're going to pay their bills, and we can speak to the hearts of people on that and show them that we respect them. Ultimately, that's how we have to talk to them. We can't talk down to them.
It's good to go out and entertain these people, and you've got them on the edge of their seat, they're standing up. Then you know that you've done your job, you've entertained them. My way of entertaining them is going out and wrestling. Everyone's got their different ways.
It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
I really get pursued by men in their 20s, like, a lot. They probably know there's food in the fridge and that somebody's going to talk to them and ask them how their day was.
When I talk to younger actors, and young people in general, who are holding off having children because they think they cannot fit them into their busy lives, I now know, and am able to say to them, 'You've just got to get on with it; there is never going to be a right time.'
Never forget that children are at the heart of everything we do. Respect them, listen to them, talk to them as equals, and care about them.
I love to hang out and talk to people on set, especially when I start a new job to get to know them. I like to learn things from the crew so I sit around and ask them technical questions, when I think of them.
My humour comes from acknowledging different communities. That's what my fans are responding to - they know that I 'get it.' I understand them. I take the time to understand them. I get more complaints from people when I don't talk about them. I've had guys come up to me after a show and go, 'You didn't talk about Latvians!'
I know what actors fear, what they like; I know how to get things out of them and I listen to them better, since I've been there.
People love talking about their jobs. Take them out, buy them lunch or take them for a beer and they'll talk about their job, provided they know that you're going to respect their anonymity.
There are players like that - you know they have been rascals, and that you can bring them in, give them a new environment and get a length of time out of them, but they will always return to type. You can get something out of them, then you have to get rid of them.
I sort of became infatuated with soldiers. I got to know some of them and got a little perturbed with Hollywood making a spectacle out of them and making them look like they have screwed up somehow.
What I know is the characters in a Southern town. I know the cadence of the language and the voice of Atlanta because I've lived here for so long. And I know the neighborhoods, and I hopefully know the people, and I feel a connection to them. And I also feel like I'm honoring them when I talk about them.
Your children can be around you all day, but if you don't spend quality time with them and you don't pay attention to them and talk to them and listen to them, it doesn't matter that they're just around you.
I think my reputation is pretty fair among the drivers. The drivers know what they get when they see me or talk to me - if they get the chance to talk to me, because some of them I just don't talk to because I don't like them, so they should know.
And fathers, . . . listen to [your returned missionary sons], and connect with them in regular, focused conversation. Talk with them in depth about their feelings and desires. Pray with them and give them blessings as they face the important decisions in their future.
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