A Quote by Catherine Deneuve
That's what I like about film-it can be bizarre, classic, normal, romantic. Cinema is to me the most versatile thing.
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What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
In any case, I would never make a film that was only one thing. Even if it's my warmest, most romantic film, I still want it to have the more cynical view of things, showing the irony and absurdity of things that we consider normal.
I was this classic film school snob who thought mainstream cinema was synonymous with bad cinema.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
I'll definitely say that, before film school, I didn't have much of a film-history background. I didn't know much about classic cinema.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
I get some of my ideas from watching my three daughters, but most of them come from my own memories of growing up. I can remember how romantic I was, not just about love, but romance in the classic sense - the romantic ideals: of honor and truth, of loyalty, sacrifice and fairness. Those were the elements that made a story satisfying to me.
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
I love cinema. It is the most important thing to me. Life is cinema. It has been this way since I was a child of about 14, and I was going every day to see the movies.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
Okay, my life isn't that romantic! No one has ever sung to me or wrote a song about me. But, I have to say that it's pretty much the most romantic thing ever. So, if that were ever to really happen to me, I would be really happy about it.
I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
I think Black cinema is thought of in small terms. That's where most of the problems come from. When there's a film that has success, like in the '90s with the crime hood films; when one of them does well, it becomes the replication, or there's a romantic comedy that breaks out, it becomes a singular way of looking at it.
I probably have the most versatile playlist in the world, from country to rap to classic rock to classical.
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
You can't get anymore classic than being a part of a Disney animated film. To me, that's something I can have in my back pocket for the rest of my life. I'll be able to show it to my kids. I'll be walking around Disneyland, and it'll be bizarre to shake hands with Rapunzel.
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