so if you love him, why keep him waiting for 13 years?" "Because I was afraid. Afraid of not being worthy, afraid of not knowing how to love him, afraid of waking up one day and not loving him anymore.
the hopelessness that comes from knowing too little and feeling too much (so brittle, so dry he is in danger of the reverse: feeling nothing and knowing everything)
I think so much depends on how you are feeling mentally and emotionally. I try to keep my head on tight, and try to feel good, and just go out there and not be afraid.
People can get too heavy and it's just about being heavy, which means there isn't a whole lot of art in that; it's more mechanical. Just always keep in mind that melody is what makes something memorable and if you take that out of the equation then you may have something that's technically played very well, but you still can't lose sight of the song.
I keep these songs in my head until I get behind the microphone. I never spend more than 30 or 40 minutes singing the vocal or it will sound mechanical. There are always mistakes, but it's about feeling more than being perfect.
We can all learn that we can take full responsibility for what thoughts we are thinking and what emotional circuitry we are feeling. Knowing this and acting on this can lead us into feeling a wonderful sense of well-being and peacefulness.
We don't have too much ritual in our life anymore. And these life symbols which people rely on to keep their feeling of well being, that life is not too bad after all are required more and more.
I just try to keep it fresh. I try to keep it interesting. The truth is my roots are independently spirited dramas that are small, and I will always go back to that well, because that's where I broke out of. But I'm going to keep doing as many different movies as I possibly can.
I always try to find companies I see eye to eye with. It was an easy collaboration with Hyland. They're a well-rounded player and always try to find certain strategies to give their clients a competitive edge.
artists try to say things that can't be said. in a fragile net of words, gestures, or colors, we hope to capture a feeling; a taste; a painful longing. but the net is always too porous, and we are left with the sweet frustration of almost knowing, which is teasingly pleasurable.
I think knowing people by first names, not by what they do sexually, is really what it's about. Not being afraid. Fear is the enemy. I've always been comfortable with being gay.
Try to write in a directly emotional way, instead of being too subtle or oblique. Don't be afraid of your material or your past. Be afraid of wasting any more time obsessing about how you look and how people see you. Be afraid of not getting your writing done.
Always wake up with a smile knowing that today you are going to have fun accomplishing what others are too afraid to do.
Worship power - you will feel weak and afraid, and you will need ever ore power over others to keep the fear at bay. Worship your intellect, being seen as smart - you will end up feeling stupid, a fraud, always on the verge of being found out.
Divide in yourself the mechanical from the conscious, see how little there is of the conscious, how seldom it works, and how strong is the mechanical - mechanical attitudes, mechanical intentions, mechanical thoughts, mechanical desires.
I just always had this feeling inside me of always being nervous and afraid of situations.