A Quote by Catherine Drinker Bowen

Chamber music - a conversation between friends. — © Catherine Drinker Bowen
Chamber music - a conversation between friends.
I think there's a natural chemistry between us as friends; and there's really no separation between the rapport that we feel when we're in conversation and when we're playing music, it's one in the same.
The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.
I have got to look at the flip side of things, because, in a way, music is always a conversation, you know? It's a conversation between the musician and their tools and their technologies.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
Once a month I play with a chamber music quartet. I play almost no solo music anymore because I so enjoy the interaction. The members of my quartet have become some of my best friends and so I really enjoy it now in ways that I didn't before.
The conversation was mesmerizing, not for its content but for the cadences of the talk, the rhythm we fell into when we were alone, now as before. Every conversation between friends or lovers creates its own easy or awkward rhythms, hidden talk that runs like a subterranean river under even the most banal exchange.
I started directing chamber orchestras, then adding bigger pieces, adding winds, adding small symphonies. I've always loved chamber music, and I've done a lot.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
I love the conversation between film and music.
A successful current affairs television show seems to be more and more a cross between a music hall turn and a scene in a torture chamber.
The difference between an echo chamber and a filter bubble in my mind is an echo chamber you choose to in with likeminded people, a filter bubble chooses you and you don't really see it.
Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
We have a choice. We have two options as human beings. We have a choice between conversation and war. That's it. Conversation and violence. And faith is a conversation stopper.
Music is a conversation between the audience and me, and I love that about my profession.
That is another chamber of my heart that shows no electrical activity - the chamber that used to flicker into life when I saw a film that moved me, or read a book that inspired me, or listened to music that made me want to cry. I closed that chamber myself, for all the usual reasons. And now I seem to have made a pact with some philistine devil: if I don't attempt to re-open it, I will be allowed just enough energy and optimism to get through a working day without wanting to hang myself.
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