A Quote by Catherine Gaskin
I have a conscience about my work and try to turn out a good piece of craftsmanship.
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You might want to think twice before you try to use a man's conscience against him. It may turn out he doesn't have one.
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
You should turn around at the end of the day and say I really like that piece of work, or that piece of work sucked. Not, was that popular or wasn't it popular?
I do hope some of my work has a long lifetime. A piece that works out well this year may work out very well in twenty years' time as well, but I'm very much thinking about what's the right piece now, at this moment.
I try to show compassion to people I come into contact with and try to put good out, as much good as I can. But that's my life; that's not my work. With my work, my job is to walk in another man's shoes.
Although there is nothing so bad for conscience as trifling, there is nothing so good for conscience as trifles. Its certain discipline and development are related to the smallest things. Conscience, like gravitation, takes hold of atoms. Nothing is morally indifferent. Conscience must reign in manners as well as morals, in amusements as well as work. He only who is "faithful in that which is least" is dependable in all the world.
Great directors turn in mediocre work and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know.
It goes without saying that a good Catholic novel should be good craftsmanship, good writing skills. The creative person must always be engaged in the long labor of perfecting the tools of his art. Yet the work itself need not be explicitly evangelical in its themes and plots.
A clear conscience is, for me, an occupied conscience-never empty-the conscience of a man at work until his last breath.
I work for perfection, for perfection's sake. I don't care what the external reasons are. And it's much more like a ballerina on opening night. You've done what you've got to do. When you go out, the purpose is to turn a perfect turn. You are not thinking about the future of the company, you are not thinking about your future, you're not thinking about the critics, it is you and the perfect turn.
In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.
The only answer in these modern times, as in all other times, is the blood of Christ. When our conscience rises up and condemns us, where will we turn? We turn to Christ. We turn to the suffering and death of Christ—the blood of Christ. This is the only cleansing agent in the universe that can give the conscience relief in life and peace in death.
A good interviewer is able to ferret out what the applicant is really passionate about. Ask them what they do for fun, what they're reading, try and find out if they have a life outside of work.
I think one of the areas of favor and grace that God has allowed us to see is internally he's just given us a strong sense of work ethic and craftsmanship. We really do work hard to make GOOD quality music.
There's really a shortage of good freelance writers. ... There are a lot of talented people who are very erratic, so either they don't turn it in or they turn it in and it's rotten; it's amazing. Somebody who's even maybe not all that terrific but who is dependable, who will turn in a publishable piece more or less on time, can really do very well.
When a writer's whole being is poured into a piece of work, there is never enough. The feeling of finally getting to the end of a piece of work, of making it as good as you can at that moment, is more of a relief than anything else, and then you wait for reviews.
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