A Quote by Catherine Marshall
There's always the danger that the extreme feminist will end up quite unfulfilled as a girl.
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Buddhism doesn't promise to fulfill our desires. Instead it says, 'You feel unfulfilled? That's okay. That's normal. Everybody feels unfulfilled. You will always feel unfulfilled. There is no problem with feeling unfulfilled. In fact, if you learn to see it the right way, that very lack of fulfillment is the greatest thing you can ever experience.' This is the realistic outlook.
My mom was a big feminist, and when I was growing up, I wasn't allowed to have typical girl toys: she did not let me have dolls. Barbies were banned in our household. She read feminist books to me; my mom was a major feminist.
It took me quite a while to even admit that I was a feminist because I was ignorant of what it meant to be a feminist. I grew up believing in equality - believing that women and men were created equal and that we could be stronger together - but I didn't know that made me a feminist.
Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.
The peril of the hour moved the British to tremendous exertions, just as always in a moment of extreme danger things can be done which had previously been thought impossible. Mortal danger is an effective antidote for fixed ideas.
With many things in life, you're there because there's a cute girl around that you want to go out with, and you end up finding magic. You end up not caring about the girl but wanting to stay there because of what you found. That happened with 'Amarcord' to me.
If you DJ reality, that is, if you make a mash-up of actual reality, you're going to end up with something that inevitably people will say, "This is feminist." Because you cannot avoid that.
I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.
I don't think of myself as being troubled as a human being, but I guess I'm quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. I'm certainly not the quiet reflective type.
I would love to be a guys' girl, but they always end up falling in love with me, so I'm a girls' girl instead. I've tried having friendly relationships with men, but it ends up being impossible, and I've been around the block too many times not to see it coming.
A lot of women seem to have a similar attitude, - 'I'm not a feminist' - and it gets wearying. What's wrong with being a feminist? I'm proud to be a feminist. It's been one of the most positive things in my life. It's one of the best traditions there is. It's admirable to be a feminist and to stand up for one's sex, to fight against inequality and injustice and to work for a better society.
I find a lot of feminist reading quite confusing and that often there's a set of rules, and people will be like, 'Oh, this person isn't a true feminist because they don't embody this one thing,' and I don't know, often it can be a gray area, and it can be a hard thing to navigate.
I had started acting when I was 7, and I was always wrong. I would always get to the very end [of the audition], but I wasn't a perfect package of one thing. I wasn't a cliche, and it always worked against me. I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl. Then there was a TV show that Toni Collette was starring in. And when a role to play a girl who was struggling with identity came, I thought: "Oh, this is what I was supposed to do. Everything's leading up to this moment." I was 18. I was like, "This is it." I didn't get it. And I was devastated.
I grew up in a feminist household in Hackney, East London, my mum was responsible in many ways for the feminist stain on the socialist party, and my dad had really strong feminist leanings.
I dont think of myself as being troubled as a human being, but I guess Im quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. Im certainly not the quiet reflective type.
I always hoped I'd end up playing a lot cooler roles. I do end up playing quite a lot of idiot savants, and I've actually started to revel in that slightly.
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