A Quote by Catherine O'Hara

The people who present themselves as normal and nice and good are often the scariest monsters in the world. — © Catherine O'Hara
The people who present themselves as normal and nice and good are often the scariest monsters in the world.
The world of maps is nice and flat and simple. It has areas for people and areas for monsters. What a shock it is to discover the world is round and the areas merge and nothing separates the monsters and ourselves; that we are all whirling around in space together and there isn't even a graceful way of falling off.
Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.
Now I am also friendly with people who are not so nice to me. From what I've learnt, it's nice to be friendly. It's nice to make people feel good about themselves.
I had come to discover that "safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust.
The scariest monsters are the ones that lurk within our souls.
The scariest monsters are human beings and what we will do to each other.
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
We're all products of what we want to project to the world. Even people who don't spend any time, or think they don't, on preparing themselves for the world out there - I think that ultimately they have for their whole lives groomed themselves to be a certain way, to present a face to the world.
I've always felt that the real horror is next door to us, that the scariest monsters are our neighbors.
Sometimes you know you've got a chance with a girl because she wants to fight with you. If the world wasn't so messed up, it wouldn't be like that. If the world was normal, a girl being nice to you would be a good sign, but in the real world, it isn't.
Adolescents are not monsters. They are just people trying to learn how to make it among the adults in the world, who are probably not so sure themselves.
In Camden, it's just the atmosphere that gets me. It's simple. It's nice. It's real. And it's the people, too. I like to interact with them because they are normal and I am normal. People probably don't expect an Arsenal player to come to Camden Lock and, basically, be a normal guy.
Theres nothing to fear but fears themselves, such as monsters, rejection, food poisoning, redundancy, monsters, and oxford commas.
Returning to South Carolina meant getting a normal job in a normal town with normal people and marrying a normal person. I wanted the glamour and opportunity of the world.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
There are many films and TV shows I make where people find themselves in fantastical situations; as often as possible their reactions to it are very normal.
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