A Quote by Catherine O'Hara

I only want to write. I don't care about directing really. I've tried it and it was fun, but it's not like I have to. — © Catherine O'Hara
I only want to write. I don't care about directing really. I've tried it and it was fun, but it's not like I have to.
I only want to write. I don't care about directing, really. I've tried it, and it was fun, but it's not like I have to.
And then afterwards I worked in advertising for a year which taught me about writing even when you don't want to (laughter) because there's never a moment that you want to write about an Erickson cell phone but you have to. And that's really important you know obviously for the...like if you really want to write, you have to write every day no matter how you feel or you know. And then, yeah, and then I ended up working in TV and then from TV into movies and then directing, so.
I would say if you want to write, write what you care about. I think that's the most important thing. I think if you write what you care about, you stand a better chance of having the reader care about your story.
In terms of directing a feature, I'd want the story to be right - you know, it's a year of your life, and you have to be focused on one thing, so I want it to be a story that I really, really care about and will enjoy making.
We really care about our brand. We really want it to stand for high quality. We want people to be excited about it, for it to be fun.
Directing, to me, starts even before we get to the set. Directing is a fluid, an abstract thing. It's not done only purely in the moment. It's an idea that you plant before. It's a location that you show. It's something I whisper in someone's ear. It's a freeform thing. It only takes me a week to write the script, but it's years that you're thinking about it. The execution is really the fast part.
I write constantly, but only in my journals. I have three of them: one for travel, one for home, and one I write in before bed. But the last thing I want is other people reading it... What's really fun is reading your journal, like a year later.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me.
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me, you know?
Write what you really care about. Write what you want to say because that is the experience that always rates as genuine on the page.
I've done all the other kind of production work on films than directing really badly. That is the truth. It's made me a better director because I feel like directing is the only thing I can really do.
I care about the here and now. I care about what's in front of me. Am I having fun or not? That's all I care about. I just do what I want.
A big part of directing animation is deciding what you really want to do and making sure it's about something. My favorite thing about animation is the storytelling. You can really dig into the story and spend time with the writers. The writers don't just write and leave.
I want to play some really good, interesting, crazy characters. I want to take some chances. I want to take risks. I want to have fun and just keep working. That's all I really care about.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
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