A Quote by Catherine Oxenberg
I know there'll be comparisons, but I consider it an honor to be compared to Audrey Hepburn. She's a legend.
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I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
I just told my agent to forget all other projects for me. I was waiting for Audrey Hepburn. She asked for me, and I was ready. This could be the last and only opportunity I’d have to work with the great and lovely Audrey Hepburn and I was not missing it. Period.
Audrey Hepburn, as famous as she was, packed her own suitcases... I don’t know why that struck me, but it did. 'She has a servant’s heart,' I thought.
I love Audrey Hepburn. I thought she was very classy.
Audrey Hepburn is a huge influence on my style. She's classy, confident, and simplistic. She's a tomboy and also super feminine.
I've always dug Audrey Hepburn. I think she's one of the classic beauties.
Somehow I was invited to visit with Audrey Hepburn. I had this afternoon with her, and she gave me a couple things. She was so gracious and everything you would think that she would be.
My mother always said to carry yourself with dignity and pride, and I just think Audrey Hepburn totally epitomizes that, you know? From such a young age, she was dancing ballet. There was a lot going on in her life... that was during the time of the Nazis.
I remember watching Audrey Hepburn dancing in movies, and I was inspired by how graceful she looked, though I understand it was no easy task.
She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.
I love Gwen Stefani. I'd watch what she'd wear over and over again and think, 'How do I nail this style?' And then, I like that classic beauty, too. Audrey Hepburn, she's so elegant.
Never in my life have I been captivated by by anybody onscreen the way I was when I saw Audrey Hepburn for the first time. She's everything a woman should be.
I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than who she is. She has achieved in herself her ultimate portrait.
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