A Quote by Catherine Oxenberg
That was mandatory in the contract with Aaron Spelling, that if you were contracted to do one of his shows, you had to do any other shows that were his.
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In 'Comedy Nights With Kapil,' we had fixed characters and we were under a contract that we could not work for other channels. But it's not the same with 'TKSS.' I can do shows on any channel.
Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits.
I loved television. 'Starsky and Hutch' was my show. 'SWAT.' Both Aaron Spelling shows. Loved 'em.
Aaron Spelling always had his finger on the pulse of pop culture, he knew what the public wanted to see. He was one of the most loyal men in this business and believed in me at a time in my career when no one else would. My prayers are with his family.
When He gives, He shows you His Kindness; when He deprives, He shows you His power. And in all that, He is making Himself known to you and coming to you with His gentleness.
When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.
I don't have any personal grudge against Vince Russo, but I just know watching the shows that all his shows look the same.
About Mike the construction worker, friend of Roark: "He worshipped expertness of any kind. He loved his work passionately and had no tolerance for anything save for other single-track devotions. He was a master in his own filed and felt no sympathy except for mastery. His view of the world was simple: there were the able and there were the incompetent; he was not concerned with the latter."
I chose 'The Voice' because I knew they had a lot more respect for each artist, as opposed to the other shows. They don't get it. I don't think those shows ever got it. I was turned off by some of the other shows and how they did things.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
When we first started playing shows, we were all 17. Everybody started somewhere. There were guys throwing shows in condemned houses and backyards just for the love of music and for the love of what bands were standing for.
I just did 101 shows in 86 different cities in America and Europe and Canada, and I'm not lying or exaggerating when I say, at the vast majority of shows, they loved it. There were encores, there were standing ovations.
The barbarians of Germany had felt, and still dreaded, the arms of the young Caesar; his soldiers were the companions of his victory; the grateful provincials enjoyed the blessings of his reign; but the favourites, who had opposed his elevation, were offended by his virtues; and they justly considered the friend of the people as the enemy of the court.
His last 2 shows in the U.S. were in Chicago and St. Louis. I don't know what made me go on the trip with him, but I'm so very glad I did. They were two of the finest concerts I've ever seen.
I really wanted something that could make a statement about what we were doing and the life we were living in society, and the shows that push the boundaries, in those ways, are shows on cable, particularly networks like Showtime.
I have experienced bad dating and ineptitude with women all across the globe, from Vietnam to Paris. When I was 21, women were an enigma; they were this code that had to be cracked. They were 'The Other.' I have often thought writing this stuff into stand-up and shows would be an exorcism, but it hasn't been; it makes no difference.
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