A Quote by Catherine Reitman

To admit that you're shooting for the stars - that you're allowed to do that, that it's not shameful - that to me is very vulnerable. — © Catherine Reitman
To admit that you're shooting for the stars - that you're allowed to do that, that it's not shameful - that to me is very vulnerable.
I'm a person who doesn't necessarily enjoy feeling vulnerable, so I think my loved ones and my family make me feel vulnerable. Also, being connected with people when I'm working is a very vulnerable place to be.
I like to consider myself a star - a star, that when you look in the sky, it's always there. And on a clear night... a shooting star comes by, and get a little thrill, and you make a little wish. You need both types of stars, the shooting and the constant stars. The heavens include them all.
Why isn't the movie industry forced to open its shooting locations to an organization that is there to advocate for animal actors? The industry isn't allowed to pick and choose which movies using young children it will or won't allow to be monitored. The vulnerable should be protected.
Everyone is allowed to be vulnerable. I think women and men and dogs and cats and ants and aliens can all express themselves and be vulnerable.
But through therapy I'm realising I'm allowed to be vulnerable. And I'm allowed to feel shy. And I'm allowed to feel private.
[Having bigger budget] allowed me to be a full-time filmmaker for a couple months and not have to have a day job and be balancing a bunch of other stuff. It allowed me to bring in all these people from different parts of the country. It allows me to have an actual food budget, where we could eat healthy for the month we were shooting. It makes all the difference in the world.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
Linda Hamilton is my hero. She was so tough and so strong and so vulnerable at the same time. I think that's what woman action figures are allowed to be: vulnerable, in a way that women are.
I always believe shooting for the stars, and at the very least, you can land on the moon.
I went out into the woods for a few days. I just disconnected from everything and allowed myself to be free and be human. Because, that's what makes you really good, if you can be vulnerable, if you can be vulnerable on stage.
Wish on everything. Pink cars are good, especially old ones. And stars of course, first stars and shooting stars. Planes will do if they are the first light in the sky and look like stars. Wish in tunnels, holding your breath and lifting your feet off the ground. Birthday candles. Baby teeth.
Shooting stars are not stars at all. They re just rocks that enter the atmosphere and catch fire under friction. What we wish on when we see one is only a trail of debris.
There was certain points shooting 'Spring Breakers' where I wasn't uncomfortable at all, and that let me be free. It allowed me to play with what I love, so that's what I wanted to do with my music.
I must admit, strong films are more interesting to me, as, by the end of the day's shooting, you feel good.
It's a shameful thing to admit for someone who writes such long books, but I read so slowly that I almost subvocalize.
We gazed dreamily at the Milky Way and once in a while caught some shooting stars. Times like those gave me the opportunity to wonder and ask all those very basic questions. That sense of awe for the heavens started there.
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