A Quote by Catherine Ryan Hyde
I try to think of a way to get there without going past it. There are lots of ways, but they all have me walking a little farther. And that's stupid, I decide. What am I, a little kid? I can stand to see something it hurts to want. I can see it and then just keep walking. It happens to lots of people everyday. We all survive.
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One of my first overseas trips with WWE was to France. I walked out of our hotel, and I see a little kid walking toward me with his mom. He gets a couple of steps past me and he stops in his tracks. I see his mom do a little bit of a double-take, then he runs over and just grabs on and starts hugging my leg as hard as he can, then he starts crying.
I don't want to get the same looks I give people when they get on a plane holding a baby: "That's a cute baby, just keep walking, keep walking, keep going, keep going.
Ever since I was a about seven or eight; I think it was seven. My brother said "I want to start acting," and me and my sister just said, "Oh we'll try it, we'll see." It was just one of those things - we were just like, "Oh, we'll see what happens." So we ended up - all my siblings and me - we ended up just trying it, and I got that one role on In Plain Sight and then we just decided to keep going and see what happens. And then: Hunger Games.
Because of what I experienced when I was a kid, I want kids to have that kind of an epiphany moment, that little jolt, that little spark that they see when Dusty ['Planes'] flies higher than he has before. That scene where he flies straight up, and he's starting to get dizzy, and then finally it comes together. We forget as adults. We get jaded and we think that's kids' stuff, but for a kid who doesn't know about anything technical or how a movie is made, they're just going to see this and hear this beautiful score and see this dynamic, fantastical thing happening in front of them.
I don't think I'm mainstream. I think what I am is lots and lots of different cults. And when you get lots and lots of small groups who like you a lot, they add up to a big group without ever actually becoming mainstream.
Ever see a little kid walking around talking to himself? I'm the same way.
Partly because of the way I write - I don't work with an outline or in a straight line. I work where I can see things happening, and so I get lots and lots of little bits to start with, and I'm doing the research at the same time.
The ways of change are dictated by the circumstances of each country, each place and each time. I don't think that arrogant intellectuals should be dictating to the people which way they should be heading. I think we should be listening to the people, see in which directions things are developing. People are walking where they can, not where they want to. But they are walking!
I see managers with my own eyes walking out of jobs and then walking into jobs, getting sacked and then walking back into another job... yet we can't even get an interview.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
I love motion-capture, because you're just free. It's like when you're a little kid, and you say, "Okay, we're the army men. We're going over the mountain." Or, in this case, "We're walking through the swamp" or "Walking through the casino." And it's just a blank room.
I like to think of myself as a pirate and you're just walking that person out on the plank. And then you pull them back when you get what you want. Of course, sometimes, in the beginning, you're going to push a little too far.
If you are always trying to do something great and different and fresh, lots of them are going to be shut down for lots of stupid or good reasons, but you have to keep on trying.
I definitely have a tendency to only see the blemishes of things, and see lots of things about my acting that I don't like. I think I've gotten a little easier on myself, or at least a little more usefully critical of myself. I think before, I just couldn't take looking at myself at all.
I think the show has so many wonderful memories connected to it for lots of people. When fans come to see me at the Andy Griffith Museum they get so emotional. Some of them cry, lots of them hug me and some want a kiss on the cheek.
Even though you try very hard, the progress you make is always little by little. It is not like going out in a shower in which you know when you get wet. In a fog, you do not know you are getting wet, but as you keep walking you get wet little by little. If your mind has ideas of progress, you may say, 'Oh, this pace is terrible!' But actually it is not. When you get wet in a fog it is very difficult to dry yourself.
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