A Quote by Catherine Tate
Because I was a shy and awkward child, I used humour to deflect attention. It was a controlling mechanism. Because I could use it to control my image.
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I used to go red when anybody spoke to me. It's awful because you absolutely cannot control it. If you are a child that blushes, or is shy, the one thing you want in the world is to be the child who comes in and says, 'Hi,' to everyone and goes up and makes friends.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
The true and lasting genius of humour does not drag you thus to boxes labelled 'pathos,' 'humour,' and show you all the mechanism of the inimitable puppets that are going to perform. How I used to laugh at Simon Tapperwit, and the Wellers, and a host more! But I can't do it now somehow; and time, it seems to me, is the true test of humour. It must be antiseptic.
I could always make people around me laugh. It was more of a defense mechanism more than anything else, because I was a pretty shy guy.
If you notice, no child star made it big when s/he grew up because the child's image was still fresh in people's memory. They could not digest the fact that the child star had grown into a man.
What is the focus of the new image infrastructure? Attention. It's all designed for capturing, tracking, quantifying, manipulating, holding, buying, selling and controlling attention.
At school I was always taller than the rest of my class, and because I was an only child, I was comfortable with adults but shy and awkward with other kids. I was quiet, bookish, and in spite of my size, hopeless at sports. In short, I was different. And even in the earliest grades, I got pounded for it.
The more painful incidents of racism I chose to forget, to suffer in silence, or use humour to deflect rather than confront. I didn't want to be the angry black man.
I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.
I was very shy as a girl. Absurdly shy, even. Maybe because I was an only child. And I think that's why I'm so happy to have two kids now.
I don't attract violence because of my stature and because of my lifestyle choices. I don't like to go out and be out of control or intoxicated because you could be the toughest guy in the world and still be vulnerable if you're not in control of yourself. And I don't like to go to place that are unnecessarily confrontational or dangerous. But I used to work in a pub and had to help the doorman fight off a load of people at one time. So, I've seen enough.
Initially I used to find it very awkward when people used to turn back and stare, but now I am used to it and love all the attention.
In my older songs, I used to hide behind fictional characters to deflect attention away from myself.
It's particularly important for a young woman to be in control of her image - to a certain extent. I mean, there's only so much you can do, because people take photos with you and then all of a sudden they pop up all over the place, they're completely out of context and you have no control over how they're used.
I use humour a lot because humour is a great equaliser. Everyone laughs at the same things if you set them up properly, and that makes everybody equal. At the end of the day, I see my job as being there to entertain as well as inform and provoke.
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