A Quote by Catherine Tresa

Glamour, for me, is looking good. It has nothing to do with short clothes. — © Catherine Tresa
Glamour, for me, is looking good. It has nothing to do with short clothes.
I'm just not the glamour type. Glamour girls are born, not made. And the real ones can be glamorous even if they don't wear magnificent clothes. I'll bet Lana Turner would look glamorous in anything.
A film will have many events such as audio release, promotional activities. I did not have that fancy-looking clothes to look good before the camera. So I used to ask my producers for the clothes I wore in the film. I still have my 'Yevadu Subramanyam' clothes in my wardrobe.
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
I can’t see through clothes or anything. Just glamour skin. Except I can see through all of you, since your clothes aren’t real.” I stopped, horrified. “I mean, I don’t look—It’s hard to see you, and I like looking at your real face, but I don’t try to see anything, because—Oh gosh, this sounds terrible.” He had a funny look on his face, like he wasn’t sure what to think. “Huh. That’s never been an issue before. Maybe next time you could bring me some shorts.
I was dying to start shooting for 'Paiyya.' I had worn no good clothes for months, and I was dying to wear good clothes. And, for 'Paiyya,' they gave me eight clothes to change in a day!
I believe in glamour. I am in favor of a little vanity. I don't rely on just my genes. Looking good is a commitment to yourself and to others.
I wear non-gender-specific clothes. I just look silly in girls' clothes. I'm quite tall, and they're never the right cut for me - T-shirts and stuff are always too low-cut or too short. I've worn boys' clothes forever because girls' stuff never felt right for me.
I love fashion. But I love it in a different way than most people. I'm not obsessed with it. I'm just obsessed with looking good and wearing clothes that make me feel good.
I think cinema is so visually driven now, and people are so taken in by the glamour, gloss and all things good looking that we don't appreciate the craft as much as we used to in the bygone era.
I don't follow trends - it's more of an instinct thing. Honestly, I'm kind of my own worst client. I wake up and go, "I have nothing to wear!" But that's what makes it interesting. I ask, what would make me feel good? I think it's a constant challenge because clothes are so personal. For me, my clothes are related to my mood. If I feel like I'm not wearing the right thing, I don't feel confident. I think it's in everybody's psyche.
For me, drag is about two things - confidence and glamour. Drag is about using artiface and illusion to tap into the self-confidence we all have. And glamour is about taking what you have naturally and showcasing in a way that makes you feel good. It's truly a practice in faking it until you make it.
Glamour invites us to live in a different world. It has to simultaneously be mysterious, a little bit distant - that's why, often in these glamour shots, the person is not looking at the audience, it's why sunglasses are glamorous - but also not so far above us that we can't identify with the person.
When I got the beat, in my imagination I was catapulted into this club where all the boys and girls are looking hot and wearing amazing clothes, and there's this girl dancing and looking better than me.
I love glamorous women. Hugh adores glamour, as well. Im completely behind women dressing up and looking as good as they can.
My time in non-league definitely grounded me and taught me to take nothing for granted - there was no glamour involved, that is for sure.
Short on glamour and long on tragedy.
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