A Quote by Catherine Tresa

For more reasons than one, my first film in Kollywood, 'Madras,' will stay with me forever. — © Catherine Tresa
For more reasons than one, my first film in Kollywood, 'Madras,' will stay with me forever.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
Kollywood allots big budget only for commercial films. Bollywood film industry is straightforward that way. When compared to Bollywood, Kollywood is fake. They keep churning out the same films.
There are two men in me--one lives in the full sense of the word, the other reasons and passes judgment on the first. The first will perhaps take leave of you and the world forever in an hour now; and the second . . . the second?
Whenever you do a film for the wrong reasons, it may or it may not pan out. Sometimes people do it because it is a good move or the right move. I don't know; maybe one day I will do a film for the wrong reasons, and it will work for me.
"I dissolve in trust, I will sing with joy, I will end up dust". The line really spoke to me. That's what it is: Enjoy what you have here. You're not going to be here forever, but the songs stay forever. For me, it's like Bowie songs - they carry me, and they continue to, even though he's gone.
My daddy used to tell me 'the first time you fall in love it changes your life forever, and no matter how hard you try, the feelin' never goes away. This girl you been tellin' me about was your first love. And no matter what you do, she'll stay with you forever.
The first time I visited Chennai was in 2013, July, I think. I came here to meet the director of my first Tamil film, Pa Ranjith for 'Madras.' We did a test shoot and I left the same evening. I didn't get to explore the city much at that time.
When I did Mira Nair's film on AIDS, people told me to stay away from it and even asked me reasons why I chose to do a film on the stigma. My reason for choosing the movie is similar. It is a social reality and there is no harm being a part of a movie like this as it really dissects the reality of the crisis.
Kollywood is my parent film industry. It was here that I was born as an actress and grew as an artist.
I think 'Happy Days' was huge and an unexpected high point of my career. I was a newcomer at that time, and I was fortunate to get such a role in the film. 'Paiyya' was another highpoint, as it opened up Kollywood for me.
Smoke You stand infront of me, pretending to be solid, but you are nothing more than smoke and mirors. You said you'd never leave, that you would care for us forever, but now you claim you cannot stay? That you've been called away. When you go, who will i turn to when it all crashes down? Tell me who. Then tell me, how I can believe anone again, if all your promises have been lies.
I have been receiving calls from all quarters since the release of 'Madras.' I need to thank audiences for believing in me and making this film successful.
I like guitar. It just turned out that it's the instrument I learned to play. I have a lot of respect for it, and I'm learning more and more every day. For me, the classic band setup - guitars, drums, bass - will stay fresh forever. I don't know. I'm still into it.
I have never said no to a film. Except once, 20-25 years ago, when a producer from Madras wanted me to play Jeetendra's father.
It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'
But so long as we can keep this crew of fantastic people together and can continue to make real breakthrough films in this category, as well as characters that stay true to what we've done in this first film, I'd be more than happy to be a part of it.
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