A Quote by Catherine Wilson

The life-world of human and animal experience, with colours, tastes, solid objects, is a perceptual effect of massed atoms. — © Catherine Wilson
The life-world of human and animal experience, with colours, tastes, solid objects, is a perceptual effect of massed atoms.
I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.
It is conceivable that animal life might have the attribute of using the heat of surrounding matter, at its natural temperature, as a source of energy for mechanical effect . . . .The influence of animal or vegetable life on matter is infinitely beyond the range of any scientific enquiry hitherto entered on. Its power of directing the motions of moving particles, in the demonstrated daily miracle of our human free-will, and in the growth of generation after generation of plants from a single seed, are infinitely different from any possible result of the fortuitous concurrence of atoms.
In the world of the very small, where particle and wave aspects of reality are equally significant, things do not behave in any way that we can understand from our experience of the everyday world...all pictures are false, and there is no physical analogy we can make to understand what goes on inside atoms. Atoms behave like atoms, nothing else.
When the animal becomes human, the effect is pleasingly benign and we laugh outloud, "Okay come clean now. This isn't really about hunting, is it?" But when the human becomes animal, the effect is disgusting, and if we laugh at all, then it is what Beckett calls the "mirthless laugh", which laughs at that which is unhappy.
Life is not made of atoms,it is merely built out of them. What life is actually 'made of' is cycles of cause and effect, loops of causal flow. These phenomenon are just as real as atoms - perhaps even more real. If anything, the entire universe is actually made from events, of which atoms are merely some of the consequences.
The structure underlying the phenomena is not given by material objects like the atoms of Democritus but by the form that determines the material objects. The Ideas are more fundamental than the objects.
For more than 50 years, men and women around the world have reported sights in the sky that are strange to their experience and understanding. Inasmuch as many of these sights appeared to be solid objects having impressive performance, they have become known as Unidentified Flying Objects (UFOs) or, colloquially, flying saucers. Their positive identification is one of the major public scientific challenges of the era, with a significant number of these sights so far defying all reasonable efforts at classification.
And people who believe in God think God has put human beings on earth because they think human beings are the best animal, but human beings are just an animal and they will evolve into another animal, and that animal will be cleverer and it will put human beings into a zoo, like we put chimpanzees and gorillas into a zoo. Or human beings will all catch a disease and die out or they will make too much pollution and kill themselves, and then there will only be insects in the world and they will be the best animal.
I rather incline towards 'conceptualism', in line with my view of colour perception - I don't think that we can represent objects and properties for which we have no concepts, not even in perceptual experience. In this sense I differ from those who defend 'non-conceptual content' like Michael Tye and Chris Peacocke.
Many objects of our three-dimensional perceptual world are not only chiral but appear in nature in two versions, related at least ideally, as a chiral object and its mirror image.
The relationship between human and animal is wholly symbiotic. The person needs the animal for comfort and companionship, and the animal needs the love and caring of the human. It is a classic "win-win" situation. It sounds simple - and it is. That is why it works so well. In most cases, it will be remarkably spiritually uplifting to both human and animal.
Traditional academic science describes human beings as highly developed animals and biological thinking machines. We appear to be Newtonian objects made of atoms, molecules, cells, tissues, and organs.
It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours. Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
I believe from my many experiences that the spirit world is more real, more solid, than this earth in which we live. In truth, ours is a world of illusion. All that seems so solid is yet just a mass: molecules locked together, forming an impression of solid matter that in fact is not solid at all.
We think that the world is a solid, vivid place, full of shape and colour and solid objects like this table and this microphone and so on, but we actually create that in our heads out of the bits of information that hit the back of our eyeballs or hit our eardrums or hit our tongues or whatever.
...primal people see the objects of this world not (or not only) as solid but as open windows to their divine source.
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