A Quote by Catherine Zeta-Jones

To make it more familiar to me, I ended up treating my swordplay scenes like choreography. So it was, 'One and two and three and four and five, and turn and step and down and up and lunge.'
To make it more familiar to me, I ended up treating my swordplay scenes like choreography. So it was, 'One and two and three and four and five, and turn and step and down and up and lunge.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I went from 250 to, like, 175 in three and a half, four months. And then I ended up graduating with honors. I went from a 2.4 to a 3.06 in a year. It's funny how those two are related. I don't want to say that if you lose weight, you'll get smarter, but... well, it worked for me.
The way to beat the Klitschkos is to get inside, under the jab, and bang to the body. Do that for two or three or four rounds and then the hands will come down and then you turn them over. It's like chopping a tree down. These guys try to headhunt when they fight them and that won't work. But you back them up, the younger brother especially, and he loses heart.
It strikes! one, two, Three, four, five, six. Enough, enough, dear watch, Thy pulse hath beat enough. Now sleep and rest; Would thou could'st make the time to do so too; I'll wind thee up no more.
Where you can make up ground is if the wind blows and your opponents make big numbers. I think you can shoot three, four, five-under par. But to make up a six, seven or eight-shot lead, that will be tough without the leaders coming back.
'Game of Thrones' is wonderful. My theory is they employ all these British actors because, one, they are like me and grateful. Two, we turn up, and we know our lines. Three, we don't demand a 60 ft. Winnebago and PA, and four, largely we are very uncomplaining.
These close losses, when they stack up, two, three, four, five in a row, they change the tenor of a season.
I realized that in every movie, there are a handful of scenes that stand out. So, if you get two of those four-five scenes, then you're set.
Yet but three come one more. Two of both kinds make up four. Ere she comes curst and sad. Cupid is a knavish lad. Thus to make poor females mad.
And all the world is football-shaped It's just for me to kick in space And I can see, hear, smell, touch, taste And I've got one, two, three, four, five Senses working overtime Trying to take this all in I've got one, two, three, four, five Senses working overtime Trying to taste the difference 'tween a lemon and a lime Pain and pleasure and the church bells softly chime.
I have five television sets. (I like to think of them as a set of five televisions.) I have two DVR boxes, three DVD players, two VHS machines and four stereos. I have nineteen remote controls, mostly in one drawer.
I have three older sisters who, when we were children, used to hold me down on a bad day and put make-up all over me, so I've had an aversion to it all my life and hate sitting down in the make-up chair.
You cannot just win every single game by three, four or five goals and then when you come into the last 16 playing a good team, 1-0 down, expect to turn it around easily. It's not always like that.
I maintain that two and two would continue to make four, in spite of the whine of the amateur for three, or the cry of the critic for five.
I tried to download a jazz album this week and ended up getting some tracks four times, some once, some three times; in total I ended up with 50 tracks. I don't know how I did it.
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