A Quote by Catherine Zeta-Jones

Being glamorous is about strength and confidence. It's black and white - dramatic. You have to be strong. — © Catherine Zeta-Jones
Being glamorous is about strength and confidence. It's black and white - dramatic. You have to be strong.
There's a stereotype that to be a strong black woman is to be strong about being black.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
I've never bothered about my color. I never had that thing about being black. If the whole world was like that, maybe there would be more harmony and love. Maybe. I don't have a problem with being black in a white country or being with my people.
Glamour is an attitude-it's the expression of a certain kind of confidence. A glamorous woman is always elegant, but she also possesses an air of mystery and excitement. She's dramatic-almost untouchable.
I wear the same thing every day. I always pack two black jackets, loads of black T-shirts, loads of white jeans. I feel a little fresh and glamorous and graphic.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
The thing about being black in a mostly white industry, particularly as a black male, is you can't lose your temper in the same way. Essentially, you are an angry black man losing his temper in a way that's unprofessional, as opposed to an industry that has protected unprofessional white males in perpetua.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
What it is is that Barack Obama was raised by a white mother and two white grandparents who, A, told him he was black and that there was nothing wrong with being black.
A revolutionary woman can't have no reactionary man. If he's not about liberation, if he's not about struggle, if he ain't about building a strong Black family, if he ain't about building a strong Black nation, then he ain't about nothing.
To describe something as being black and white means it is clearly defined. Yet when your ethnicity is black and white, the dichotomy is not that clear. In fact, it creates a grey area.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
We had this terrible thing, this awful thing with 'Black and White' happened, where the design of 'Black and White' was actually... was hijacked by the fan sites. Because what happened is, there were so many fan sites on 'Black and White,' the hype on 'Black and White' was just ridiculously huge. It was completely out of our control.
I get comments all the time on Twitter, and fan mail about how amazing it is to see me play Iris West: a strong woman. It's not really about her being black; she just happens to be black.
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