A Quote by Catherine Zeta-Jones

When you are 20, 40 looks really old. When I was nearing 30, that seemed like a major milestone. — © Catherine Zeta-Jones
When you are 20, 40 looks really old. When I was nearing 30, that seemed like a major milestone.
The difference between a 20-something and a 30-something man? Wisdom. At 20 years old, we dont really get how sensitive and beautiful women are. By 30, were finally starting to learn.
Everyone talks about 40 like it's massive, but I looked at Joanna Lumley at the Ab Fab premiere the other day, and she looks amazing at 70 - that's 30 years older than 40, which sounds ridiculous. The number doesn't matter; it's what's going on for you.
I'm 40 years old now and I have my friends from five years old up to 40, over 20 lifelong friends I have. And you can't keep that. You can't have that kind of friendship with people for 40 years from childhood friends if you're not an honorable person and if you're not a respectful person. And that's exactly what I am.
A woman at 20 is like ice, at 30 she is warm and at 40 she is hot.
When I signed that major-label contract when I was 20 years old. I did it because I wanted to play music for the rest of my life. That's every 20-year-old's dream - to do whatever the hell you want.
You have to believe in yourself and you have to take risks. You know how people say 30 is new 20 and 40 is new 30? Well I think essentially what that's telling us is there are so many opportunities out there, you don't have to rush into something.
There's always a handful of 40-year-old dudes. I don't know why that is exactly. I don't know if it's like my looks or the music or what, but I seem to just really appeal to that age group. A lot of people have said to me, "What's with all the old men?," and they laugh. But to me, those are my fans and I'm happy they exist.
Entrepreneurship: 10% coach, 20% player, 30% cheerleader, 40% waterboy.
It wasn't that I ever knew I'd be at the Met for 20 years, or 30 years, or 40 years, or anything like that
It wasn't that I ever knew I'd be at the Met for 20 years, or 30 years, or 40 years, or anything like that.
If you have a horse that can beat horses worth $20,000, typically you enter it in a $20,000 claiming race. Now there might be people who feel their horse is worth $20,000, and they say, 'I wouldn't mind seeing the horse get beat.' So they'll enter it for $40,000 so the horse looks like it's performed badly.
One of the thoughtful questions we could be asking is, "Have you ever gone to Google and typed in 20 week baby or 20 week fetus? Try it and click on the images." Suddenly your friend will see what a 20-week-old baby looks like in the womb. That image is clearly a unique life.
I think the free agent process is a little bit different because other major pro sports like the NBA or NHL, you're looking at 30 teams. You have 30 options. You don't really have that in this industry. There is one name that stands above all else, and that's WWE. So to really be on top, that's where you have to apply your trade.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
I'm a 50-year-old guy making music for over 20 years. I've been writing songs since I was 20, so it's really been 30 years, and it's always been personal, but I've always told stories.
But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.
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