A Quote by Catherynne M. Valente

That’s what a map is, you know. Just a memory. — © Catherynne M. Valente
That’s what a map is, you know. Just a memory.
Paradoxically one of the greatest advantages of mind maps is that they are seldom needed again. The very act of constructing a map is itself so effective in fixing ideas in memory that very often a whole map can recalled without going back to it at all. A mind map is so strongly visual and uses so many of the natural functions of memory that frequently it can be simply read off in the mind's eye.
I just think that it's very helpful to have a map of your psyche, because when you have a map, you know where to go.
Our view of reality is like a map with which to negotiate the terrain of life. If the map is true and accurate, we will generally know how to get there. If the map is false and inaccurate, we generally will be lost.
The youth of this country are not behind what is going on. We all know that. If you looked at a [political] map of the United States 25 and under, it's all-revealing. It's a unified map.
The map is not the territory... The only usefulness of a map depends on similarity of structure between the empirical world and the map.
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
Do you ever get the feeling like you already know the entire contents of the universe somewhere inside of your head, as if you were born with a complete map of this world already grafted onto the folds of your cerebellum and you are just spending your entire life figuring out how to access this map?
As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.
No memoirists writes for long without experiencing an unsettling disbelief about the reliability of memory, a hunch that memory is not, after all, just memory.
AQAL is a map of samsara, a map of the prison, but if you gonna make a prison brake,you need a good map. (laughter)
All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
Your map of Africa is really quite nice. But my map of Africa lies in Europe. Here is Russia, and here... is France, and we're in the middle - that's my map of Africa.
You can't map a sense of humor. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know that There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.
Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
The map is not the territory, the word is not the thing it describes. Whenever the map is confused with the territory, a 'semantic disturbance' is set up in the organism. The disturbance continues until the limitation of the map is recognized.
Memory is revisionist, you know. 'The Houston Kid' was based on true things that happened. But I know - from writing a memoir that I've been working on for awhile - that reconstructing memory is revisionism.
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