A Quote by Catherynne M. Valente
A marriage is a private thing. It has its own wild laws, and secret histories, and savage acts, and what passes between married people is incomprehensible to outsiders. We look terrible to you, and severe, and you see our blood flying, but what we carry between us is hard-won, and we made it just as we wished it to be, just the color, just the shape.
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A familiar name cannot make a man less strange to me. It may be given to a savage who retains in secret his own wild title earnedin the woods. We have a wild savage in us, and a savage name is perchance somewhere recorded as ours.
It's not hard to look at our own world and draw parallels between 9/11, for example, and how Muslims are viewed or treated by North American culture since then. Just to see the way fear can breed hatred and intolerance for people who aren't the same as us - and that's certainly part of what's at the heart of 'Descender.'
Finally he said that if men drink the blood of God yet they do not understand the seriousness of what they do. He said that men wish to be serious but they do not understand how to be so. Between their acts and their ceremonies lies the world and in this world the storms blow and the trees twist in the wind and all the animals that God has made go to and fro yet this world men do not see. They see the acts of their own hands or they see that which they name and call out to one another but the world between is invisible to them
Marriage is a blood sport. Marriage is jousting. It's disembowelment. It's just terrible, terrible visceral injuries. It's not for everybody.
How do you explain the bond between man and wife? Well, for one thing, it's private. What people do in their own marriage is their own business.
We ask [ of the computer ] not just about where we stand in nature, but about where we stand in the world of artefact. We search for a link between who we are and what we have made, between who we are and what we might create, between who we are and what, through our intimacy with our own creations, we might become.
Modern marriage is first and foremost a romantic and private union, but the tax laws and inheritance laws and religious implications that still surround this institution indicate that marriage has evolved without casting away its earlier purposes or assumptions. It's like we just keep building on this thing, piling new advancements on the old model.
We've caught people watching us, and I'll look at them and I'll go, "It's just us. It's just our thing. It's just what we do."
The doctrine of marriage depends on Genesis being true. If there's an absolute authority, and if God's the Creator, He made one man and one woman. Jesus came and said that marriage is between a man and woman. If Genesis is not true, we're just animals, and marriage is just whatever you want to make it to be.
I feel like marriage is a sacred institution that should only be between a man and a woman. If a gay couple wants to be married, why can't they just be satisfied with a civil union? Why do they have to get "married"?
The inflections of community are important because they get at the very meanings of marriage. Marriage is a gift God gives the church. He does not simply give it to the married people of the church, but to the whole church, just as marriage is designed not only for the benefit of the married couple. It is designed to tell a story to the entire church, a story about God’s own love and fidelity to us
Our fans often tell us that they see themselves in us. The relationship between the guys in Broken Lizard rings a bell with them, because they have their own little friend groups, with their own complex dynamics, and their own private jokes.
Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.
'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'
"Just try and remember," I said slowly," that if God had intended men to fly He'd have given us wings. So all flying is flying in the face of nature. It's unnatural, wicked and stuffed with risks all the time. The secret to flying is learning to minimize the risks." "Or perhaps - the secret of life is to choose your risks?"
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
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