A Quote by Catherynne M. Valente
Monsters almost always are culture's way of working out their fears and are thus inherently incredibly interesting and powerful.
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Monsters almost always are culture's way of working out their fears.
The power of monsters is, it is a way of giving almost tangible substance to fears, beliefs, things that aren't real. You can coalesce it and draw it, or describe it, and it's a monster.
Powerful people are always in charge. You have to acknowledge that and deal with it as a reality. They're not devils. They're not monsters. They're human beings, like us, that have their share of insecurities and fears. You have to contemplate that as you go through life.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
'Who Fears Death' addresses the push and pull in African culture that powerful women face when their culture has certain duties and beliefs that can stifle them.
A beautiful woman in our culture, and I would like to say, you know, this was different in 1962, but it still exists today - I know a lot of these women -treats different in a different way; meaning that if you're a beautiful woman, you're incredibly powerful within our culture. The world operates differently for you. Then, at a moment in time, and it has nothing to do with you, it's like the carpet is just ripped out from under you, and the way that you've operated in the world no longer works.
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
Theres nothing to fear but
fears themselves, such as monsters,
rejection, food poisoning, redundancy,
monsters, and oxford commas.
I was way into 'Voltron,' Ray Harryhausen: anything with giant monsters, I was really into. Even dinosaurs - for a while, I wanted to be a paleontologist. So it's almost like primal, ancestral mythology to me, this fascination with monsters.
It is interesting the way you create something and send it out into the culture, and then the culture kind of goes berserk.
Google, Facebook, Amazon, Apple are among the most powerful monopolies in the history of humanity. So, the problem is, is that they have tremendous ability to shape the way that we think, the way that we filter the world, the way that we absorb culture. And if they were just companies, maybe we shouldn't be so concerned about them, but they play an incredibly vital role in the health of our democracy.
The reality is if you take any three people and look at their cellphones or blackberries and facebook pages, you can get to almost everywhere in the country, because we're networked together in a way that is incredibly powerful.
The way to truth lies through the destruction of the false. To destroy the false, you must question your most inveterate beliefs. Of these the idea that you are the body is the worst. With the body comes the world, with the world - God, who is supposed to have created the world and thus it starts - fears, religions, prayers, sacrifices, all sorts of systems - all to protect and support the child-man, frightened out of his wits by monsters of his own making. Realize that what you are cannot be born nor die and with the fear gone, all suffering ends.
As I see it, only God can be all-powerful without danger, because his wisdom and justice are always equal to his power. Thus there is no authority on earth so inherently worthy of respect, or invested with a right so sacred, that I would want to let it act without oversight or rule without impediment (p. 290).
Music is almost mystical to me. It really has an incredibly powerful force.
Probably I'm more of a fan of the literary references than the pop-culture references. But I do go to the pop-culture well quite frequently because people, I think, are sort of inherently ready to laugh at that. It's a free laugh almost. Usually, everybody gets it.
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