A Quote by Cathleen Schine
a letter ... changes utterly the moment it slips inside an envelope. It stops being mine. It becomes yours. What I mean is gone. What you understand is all that remains.
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I wrote short stories for seven years and used to mail them out. You couldn't send them by e-mail. I called them manila boomerangs. I'd seal the self-addressed stamped envelope inside an envelope and I'd mail it off, and it would come back six weeks later with a rejection letter in it.
This is the way of meditation: encountering the present in all its tremendous beauty, just being in the present. Inside, the mind stops. Outside, the world changes totally. It is no more the ordinary world you have known before. In fact, you have not known it at all. Your mind was distorting everything, your mind was creating fantasies. Your eyes were full of fantasies and you were looking though those fantasies. They never allowed you to see that which is. If the mind is gone, even for a moment, suddenly the whole existence explodes upon you.
I get an award for being the best dressed, but at the end of the day I'm not Daphne Guinness. I don't like people to look at me for my dress. The letter is more important than the envelope. But if you feel good in your envelope, then you will feel better about yourself.
One half of me is yours, the other half is yours, Mine own, I would say; but if mine, then yours, And so all yours.
Past and future monopolize the poet’s sensory and intellectual faculties, detached from the immediate spectacle. These two philtres become utterly clear the moment one stops being hypnotized by the cloudy precipitate constituted by the world of today.
Are you mine?” Yes. “Are you mine?” Yes. “Are you mine?” No. “No?” No. I loved being yours. But now I’m mine, which is all I ever was, in the end.
We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
The moment a man stops dreaming is the moment he petrifies inside.
Times like this, when she slips her hand into mine and holds on tight, and our husband becomes just a shadow in the doorway.
There are no witches. The witch text remains; only the practice has changed. Hell fire is gone, but the text remains. Infant damnation is gone, but the text remains. More than two hundred death penalties are gone from the law books, but the texts that authorized them remain.
In a deep moment of love, thinking stops. The moment is so intriguing, the moment is so tremendously powerful, the moment is so intensely alive, that thinking stops. You are simply in awe, a great wonder surrounds you.
Pushing the envelope' sort of implies that you're inside the envelope with everyone else, and you're trying to find the edges on the outsides.
We can't take a slipshod and easygoing attitude toward education in this country. And by "we" I don't mean "somebody else," but I mean me and I mean you. It is the future of our country-yours and mine-which is at stake.
And when the storms came through
They found me and you
Back together
And when the sun would shine
It was yours and mine.
Yours and mine forever.
Everything changes. The more I try to hold on to the moment, the more it slips through my fingers.
But sometimes the world disrobes, slips its dress off a shoulder, stops time for a beat. If we look up at that moment, it's not due to any ability of ours to pierce the darkness, it's the world's brief bestowal. The catastrophe of grace.
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