A Quote by C.E. Morgan

I have both experienced and witnessed a great deal of suffering in my life, and that has informed my art. I'm here today, because I'm a fighter. I didn't survive my life to ask permission to write my books.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
If we can revert to the truth, then a great deal of one's suffering can be erased, because a great deal of one's suffering is based on sheer lies.
I've been collecting art for much of my adult life. I started around 1960. And my wife and I really enjoy art a great deal. We don't have a lot of money, so we have works on paper, but we enjoy them a great deal.
Sometimes you change to survive, and some things you don't give up, or you're too prideful, and then you think well, what's pride? Is it a good thing? Maybe it's a bad thing. That's what I look at in my life. It's always a question in my life I look at, and I never find the answer, because if I did, probably I wouldn't have books to write.
Truthfullness to life-both fantasy life and factual life-is the basis of all great art.
As children, Siddhartha and Jesus both realized that life is filled with suffering. The Buddha became aware at an early age that suffering is pervasive. Jesus must have had the same kind of insight, because they both made every effort to offer a way out. We, too, must learn to live in ways that reduce the world's suffering.
I always pull from something I know really well. Because I would never want to write about something that I hadn't experienced or that I hadn't witnessed happen to somebody else because it wouldn't be genuine.
In captivity, one loses every way of acting over little details which satisfy the essentials of life. Everything has to be asked for: permission to go to the toilet, permission to ask a guard something, permission to talk to another hostage - to brush your teeth, use toilet paper, everything is a negotiation.
So much of my own life inspires what I write. Whether it's work, family, friends, motherhood, I am a writer who tends to write what she knows. In 'Revenge Wears Prada,' a great deal of my own life finds its way into the book.
Giving oneself permission to write to begin with is the first enormous challenge. But you discover that this permission involves a requirement: To write about things that are difficult because they are, in fact, your subject.
Through books you can start today where the great thinkers of yesterday left off, because books have immortalized man's knowledge. Thinkers, dead a thousand years, are as alive in their books today as when they walked the earth.
My life has been such a blur since I was 18, 19 years old. I haven't even had time to contemplate my own life. By forcing yourself to write your life story you learn a great deal about yourself.
I don't write books because I have answers. I write books because I have questions. What we are is the questions that we ask, not the answers that we provide. It's all about the process of self-examination. I think that's what the best writing always contains.
My life's goal is not to write books; my life's goal is to know God better today. The neat thing about a goal like that is you can achieve it. Faith is constant; it's a relationship.
I don't write literary fiction - I write books that are entertaining, but are also, I hope, well-constructed and thoughtful and funny and have things to say about men and women and families and children and life in America today.
We stand today at the threshold of a great event both in the life of the United Nations and in the life of mankind, that is the approval by the General Assembly of the Universal Declaration of Human Rights.
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