A Quote by Cecil Beaton

I want to make photographs of very elegant women taking the lipstick off their teeth. — © Cecil Beaton
I want to make photographs of very elegant women taking the lipstick off their teeth.
I'm glad they gave women the right to vote, but sometimes I'm sorry they have the right to smoke. Most women are messy about it, particularly about their lipstick. I don't mind wiping lipstick off myself, but I hate seeing it on cigarettes, napkins and coffee cups! I don't like women with all their beauty machinery showing-curlers, cold cream, mascara brushes. I'd even prefer to not see a woman touch up her lipstick, but I guess that's expecting too much.
I want to make photographs whose very ambiguity provokes thought, rather than cuts it off prematurely. I want to make pictures that work on a more mysterious level, that approach the truth by a more circuitous route.
I have problems because I'm very expressive, and usually red lipstick gets on my teeth and face.
A completely disrespectful photographer was asked to stop taking photographs, and then said, 'I've got what I want. What are you going to do about it?' How would you feel if somebody walked up and started taking your photograph? I don't think you'd be very happy.
I like to see photographs: I like to see my family. To me, when I open a basic browser, and it's that very elegant silver simple user interface, I am unhappy. I don't need elegant and silver and simple!
I'm not a great one for chatting people up, because it's phony. I don't want people to feel at ease. You want a bit of edge. There are quite long, agonized silences. I love it. Something strange might happen. I mean, taking photographs is a very nasty thing to do. It's very cruel.
I want to do movies, but I want to do something that's good. I don't want to make any more films until I feel that I'm ready for it. I want to have good work, and a very elegant life. I believe you get what you want.
The gesture of taking the watch from the pocket and looking at the time is very elegant for a man, but if I was going to create a pocket watch, I wanted it to be very modern. I didn't want to do old-fashioned.
I grew up with very elegant parents; their black and white photographs and style are still a huge source of inspiration in designing my collections.
My mother and my two grandmothers, I was lucky to have three women around me growing up that were very special, very elegant women, very beautiful women. They were my first step into the beauty world, let's say, and then the fashion world, of course.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
I love photographs. I love taking photographs. When I see something that's great, I want to capture that. You put it out there and on a place like Instagram you can put it there and review it later.
When you look at pornography, the women become objects, whereas what I'm trying to do is make the person in the photograph as important as their body. And obviously, I like tits and arse, because I just do. I like the sex of taking photographs.
What I'm trying to do is make photographs that are universally understood... that cross cultural lines. I want my photographs to be about the basic emotions and feelings that we all experience.
I have always loved lipstick. For women, that love comes from our mother and grandmothers. It's so natural for a woman to open up her mirror and apply lipstick
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