A Quote by Cecil Beaton

Never in the history of fashion has so little material been raised so high to reveal so much that needs to be covered so badly. — © Cecil Beaton
Never in the history of fashion has so little material been raised so high to reveal so much that needs to be covered so badly.
I'm going to be a fashion icon in a minute. I'm not going to do it in a corny manner. I have a voice that speaks for a whole other market - not just black people, but high fashion urban people. I mix street wear with high fashion. It's never been seen before.
I've been to a lot of different cities around the world. People in Philly are a lot different... We're raised a little more street-smart. We're raised a little tougher. We're raised to never back down and to hold our ground.
I just like streetwear. I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion.
I've always been a fan of Saint Laurent because I like how their jeans fit on me, but as far as high fashion, I don't wear too much high fashion. I like more streetwear and baggier stuff.
I think what happens is that we're so busy as pastors that we never get around to trying to turn that material into a book. It's a shame because there is so much good material out there that needs to be published.
Whole great chunks of written history are of little value to the psychohistorian, while other vast areas which have been much neglected by historians - childhood history, content analysis of historical imagery, and so on - suddenly expand from the periphery to the center of the psychohistorian's conceptual world, simply because his or her own new questions require material nowhere to be found in history books.
I told myself that I would not come back to women's fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer's needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one's quality of life.
The difference between what designers create are you know they're creating a little world every season, you know head to toe, a full look, shoes bags, dresses, the whole thing whereas street fashion is what people are really wearing. There is an element of new. There is an element of previous seasons. There is your own history, you know your sweatshirt from high school and vintage pieces and it's that kind of combination that I find so much more interesting than just the runway, but you know and I love fashion.
There are very important and practical issues raised by following this alternative route which says, let's look to material conditions, to the systems of production, to the needs that human beings have, and to competing alternative solutions to the satisfaction of those needs.
There are very important and practical issues raised by following this alternative route which says, lets look to material conditions, to the systems of production, to the needs that human beings have, and to competing alternative solutions to the satisfaction of those needs.
We live in a supermarket of ideas, faiths, practices, theories, ideologies, and much else besides. Never in human history have there been so many movements and ideas struggling to attract our attention. Added to this, the Western world is swamped by material goods and the Western mind is dominated by the goal of material success. In all this confusion, Zen stands out as a voice of sanity. It represents a different way of seeing the world, one based upon the rediscovery of who we really are and have always been, through revealing to us our true nature.
I never cared for fashion much, amusing little seams and witty little pleats: it was the girls I liked.
By age 19, I was married to a high-profile, much older musician and was mother to a baby girl. Since then, I've been divorced, been a cheater, been cheated on, gotten happily remarried, and raised a couple of great kids.
Reshaping life! People who can say that have never understood a thing about life—they have never felt its breath, its heartbeat—however much they have seen or done. They look on it as a lump of raw material that needs to be processed by them, to be ennobled by their touch. But life is never a material, a substance to be molded. If you want to know, life is the principle of self-renewal, it is constantly renewing and remaking and changing and transfiguring itself, it is infinitely beyond your or my obtuse theories about it.
Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.
Nakedness has no color: this can come as news only to those who have never covered, or been covered by, another naked human being.
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